A Quote by Ann Wilson
I got married, which opened me up to a whole new way of feeling about life, which in turn reflected on the way I do my art, you know.
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An improper art aims at exciting in the way of comedy the feeling of desire but the feeling which is proper to comic art is the feeling of joy.
Discussing and dissecting opposing viewpoints with others on Twitter opened up a whole new way of thinking for me.
For me, my layer came so organically, 'oh, he went and got neck surgery,' and you see a bit of real life with the baby, my wife and home life. It opened up this whole new insight into me for the viewer.
Ive always been a romantic who wanted to be married. Ive got lots of friends who have never felt that way, but for me to be married and to be with someone for your whole life is challenging but its wonderful.
A little acting debut in Spin City, with Michael J. Fox, which opened up a whole new door for me.
I do not know anything about Art with a capital A. What I do know about is my art. Because it concerns me. I do not speak for others. So I do not speak for things which profess to speak for others. My art, however, speaks for me. It lights my way.
In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.
... I just feel impotent - I don't know which way to start or turn. You know what they say about a prophet in one's own country - well - in a way it works for me too: you see - this might be called my home town - well of all the old friends and acquaintances not one takes me seriously as a photographer - not one has asked me to show my work... (On returning to San Francisco)
Jesus doesn't say, "The religion founded in my name is the way, the truth, and the life, [and] what people say about me is the way." "Our way of worship, the Christian structure, is not the way," [he would say,] "I am. I am. If you want to know what life is all about, what it's supposed to be, where it's supposed to go, where it's supposed to derive its strength from, don't look at anything people say about me. Don't look at the faith that's been created. Look at my life, which is a life ultimately of sacrificial love."
You don't know which way a thing will come at you, but you need to welcome it with your whole heart which ever way it arrives.
Reggae has a philosophy, you know? It's not just entertainment. There's an idea behind it, a way of life behind the music, which is a positive way of life, which is a progressive way of life for better people.
The rest of America, with some small exceptions, has been bulldozed and rebuilt and then bulldozed and rebuilt again. Our places have become interchangeable. Here in New Orleans, everything from the architecture to the way in which people eat, the way in which they talk, the way in which they do business, the way in which they dance, the manner in which everything is set to a parade beat, they're all from here. There's no place like it.
Infinity has got to become mine so that I can know which way to turn, so that I can know in what direction something like morning is breaking.
Every song I've written, it's about what I've gone through, good or bad. It kind of comes out of me, and I'm grateful for that. I've got friends who are back home who've got no way to express that, and they're kind of in a different position in life. It's alarming to me that I've written something on my bedroom floor when I was 19 or something, and then there's 50,000 people that know the words, and they've got a similar feeling. If you thought about it too much, your head would blow up.
My whole worldview has changed because of the work that I do. Specifically, the way in which I appropriate my own faith as a Christian, and the way in which I think about the faith and life of others who are very different than myself. That mutuality of regard is how we deal with difference and diversity in the world.
But the thing that stands eternally in the way of really good writing is always one: the virtual impossibility of lifting to the imagination those things which lie under the direct scrutiny of the senses, close to the nose. It is this difficulty that sets a value upon all works of art and makes them a necessity. The senses witnessing what is immediately before them in detail see a finality which they cling to in despair, not knowing which way to turn. Thus this so-called natural or scientific array becomes fixed, the walking devil of modern life.
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