A Quote by Ann Wilson

The thing that really got me about Janis the most, was how liberated she was. She stood in that power even though it was kind of that platform of blues of being completely tormented, that enabled her to just stand there and let it go at a time when woman were not doing that...she just came out in the completely undone, unwrapped way and I think spoke right out of a woman's soul. Directly.
I think the thing about Anne Boleyn is there is an exotic quality to her. This is a woman who wasn’t raised in the English court. She was in the French court and Hapsburg court. She has a continental exotic quality to her. She’s quite a fiery woman and incredibly intelligent. So I think Anne really stood out – fire and intelligence and boldness – in comparison to the English roses that were flopping around court, she would’ve stood out. And Henry noticed that.
Guinevere is just head over heels and doesn't know how to handle these new emotions that she's feeling, as a young woman. Unfortunately, she can't reign it all in, all the time. And, even though she tries to do the right thing and be the good girlfriend and have her morals, she slips up a little bit.
The corporate woman has been defined as the 'liberated woman' and I see that as the exact opposite. I think she now is more enslaved, maybe even more than the housewife was; because she's so out of her power, and imitating male power is not female power.
Kristen is really focused and really quiet, as an actress. She just does her thing, but she's cool. I like her. I know a lot of people have mixed comments about her, but I think she's a rad person. She's just focused on what she's doing, as an actress, and she wants to pick the right roles, and she's committed to her craft. She's really cool. We got along. There weren't any tensions or anything.
In situations, every time you see Kavya reacting in a way that is completely different from what the audience expects. That's because she is a very positive soul. She's the one who encourages Anupamaa to do the right thing and she can't even stand Vanraj insulting Anupamaa.
Holly came out with a book and she gave her experience. This is what I told Kendra, 'She's writing about her experience and this is how she's reflecting on it and she has a right to do that. And you have a right not to agree with her, but lashing out like this and saying such vile things and stuff isn't really the way to handle it either.'
"Baby, you know?" my mother once said to me. "I think you're the greatest woman I've ever met - and I'm not including my mother or Mrs. Eleanor Roosevelt in that." She said, "You are very intelligent and you're very kind, and those two qualities do not often go together." Then she went across the street and got in her car, and I went the other way down to the streetcar. I thought, "Suppose she's right. She's intelligent - and she's too mean to lie." You see, a parent has the chance - and maybe the responsibility - to liberate her child. And my mom had liberated me when I was 17.
When we were trying to find the woman to play Maura Isles, it was a no-brainer when Sasha came in. We just knew it was her, and she did such a fantastic job. She got the job, right then and there, in the room, and it was great. We actually played a little joke on her. She's a great lady and we've had a really, really fantastic time.
If you are her man, she will talk to you until there just aren’t any more words left to say, encourage you when you’re at rock bottom and think there just isn’t any way out, hold you in her arms when you’re sick, and laugh with you when you’re up. And if you’re her man and that woman loves you—I mean really loves you?—she will shine you up when you’re dusty, encourage you when you’re down, defend you even when she’s not so sure you were right, and hang on your every word, even when you’re not saying anything worth listening to.
My mother had been an incredibly bright kid but her family couldn't afford for her to stay in education. So she lived through me. She was a very remarkable woman and I owe a huge debt to her. She was unashamed about delighting in the fact that I was intelligent, and she drove and pushed me. She was also completely indifferent to popularity.
I have a girlfriend. I give my heart to her. She's around, she's everywhere, we travel together. She's beautiful, she's gorgeous, she's everything you want in a woman. She doesn't complain.. but I can tune her out just enough.
I noted about Cate Blanchett was her very positive lack of concern for how she turns out in Cinderella. She is happy to be a villainess and very pleased to be encouraged as I did with her to reveal this backstory and feel as though this was very human, that this broken heart of hers, if you might regard it that way, would be visible, but she never played for sympathy and I really admired that about her, so she's just there, she just is and uncompromisingly.
I actually grew fond of her in a nastily superior kind of way. For she was so completely artless and optimistic and clueless, she didn't care that she smelled bad or was fat or wore clothes unlike everyone else's, she had some weird disconnect with life that kept her constantly bubbling, and you knew she would go blithely through her long horribly boring life thinking every thing was just swell (the opposite of me).
If a woman could take care of herself, would she still need a man? Would she even want one? And if she didn't want a man, what kind of woman would she be? Would she even be a woman? Because it seemed if you were a woman, the only thing you were really supposed to want was a man.
What's so lovely about Wonder Woman is yes, she has the strength and power of a goddess, but she has the heart and mind of a human. So I play her as I think a woman like me would act in the situations she's going through. You treat her as a normal woman who happens to be fantastic and almighty.
The Saudi ideal of a woman is a religious mother who rarely ventures out: She shouldn't work with men, she should be completely covered, and she shouldn't go out alone to run errands.
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