A Quote by Anna Biller

Every time I get criticism from people, I learn from it and what to do the next time so there are fewer misconceptions. I'm continuing to be socialized as a woman, but also as a filmmaker.
It has a lot to do with just sort of trust in the relationship that builds between the filmmaker and the subject. There are some people who will never be relaxed in front of a camera, and in some ways that's my failing as a filmmaker to not put them at ease. It's also a function of time, and if you have that type of time.
Every time you make the right choice in the face of potential criticism you build strength that makes choosing the right easier the next time. When you make it clear that you will not vary from your standards, you will be led to individuals like yourself and the criticism from others will become less intense.
You gotta grow, you gotta learn by your mistakes; You gotta die a little everyday just to try to stay awake; When you believe there's no mountain you can climb; And if you get it wrong you'll get it right next time, next time.
Every time you learn you can do something, you can go a little bit faster next time.
You've got to be able to take a hit and learn from it and get back up on your bike again, or get back doing whatever you do, and try even harder next time. It's all about learning from your mistakes and using it the next time so you don't put yourself in the same situation.
You learn every time you write a book, and then you take that new knowledge and experience into the next book. Hopefully, every time, you raise the bar.
Every time is a learning experience, and you pick up a little bit, and you learn things and try not to repeat them the next time.
I have to learn sometimes 25 pages at a time. The takes can last 20 minutes - we do big, long takes. You always hope that you get a couple of days in between so you can learn the next one because you can't keep everything in your head at the one time.
All things I do are in every woman. Every woman is Medea. Every woman is Jocasta. There comes a time when a woman is a mother to her husband. Clytemnestra is every woman when she kills.
When you are continuing to be in debt or are going deeper into it, every time a creditor calls, it rubs your face not only in how vulnerable you are, but that people are out to get something from you that you don't have to give.
Naturally, in 10 years, you change as a person and you learn a lot from your mistakes. You also learn a lot about wasting time and the right way to handle things. We're not touring as much. We're not doing eight or nine months of the year, so I've got a bit more time to get a perspective on what I do. I think I've improved my songwriting. I'm every bit as enthusiastic about playing as ever and I'm still learning.
Criticism is good, you learn from it each time and you know that people are paying attention.
I'm not a believer in predetermined fates, being rewarded for one's efforts. I'm not a believer in karma. The reason why I try to be a good person is because I think it's the right thing to do. If I commit fewer bad acts there will be fewer bad acts, maybe other people will join in committing fewer bad acts, and in time there will be fewer and fewer of them.
Learn to manage your mind. Do not let a situation lure you into thinking negatively. Sometimes you will fail but you'll learn for the next time. Every time a negative thought comes at you ZAP IT! Replace it with positive thoughts. That takes energy but the result will be stamina, positive stamina, the necessary ingredient for success.
Every time you make a mistake, don’t bring up everything that’s wrong with yourself; tell yourself that you’re paying the price for growth and that you will learn to do better next time. Every positive thing you can say to yourself will help.
I think this is an exciting time to be a female filmmaker. Trust your instincts, work harder than anyone else and learn your craft. Know it all. This means learn how to shoot, edit, produce and direct. Get as much experience as you can and watch a lot of films.
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