A Quote by Anna Brownell Jameson

He that seeks popularity in art closes the door on his own genius: as he must needs paint for other minds, and not for his own. — © Anna Brownell Jameson
He that seeks popularity in art closes the door on his own genius: as he must needs paint for other minds, and not for his own.
The Painter who seeks popularity in Art closes the door upon his own genius.
The artist's business is to take sorrow when it comes. The depth and capacity of his reception is the measure of his art; and when he turns his back on his own suffering, he denies the very laws of his being and closes the door on everything that can ever make him great.
Other men are lenses through which we read our own minds. Each man seeks those of different quality from his own, and such as are good of their kind; that is, he seeks other men, and the rest.
The Plagiarism of orators is the art, or an ingenious and easy mode, which some adroitly employ to change, or disguise, all sorts of speeches of their own composition, or that of other authors, for their pleasure, or their utility; in such a manner that it becomes impossible even for the author himself to recognise his own work, his own genius, and his own style, so skilfully shall the whole be disguised.
Each has his own happiness in his hands, as the artist handles the rude clay he seeks to reshape it into a figure; yet it is the same with this art as with all others: only the capacity for it is innate; the art itself must be learned and painstakingly practiced.
In order for a man to really understand himself he must be part of a nation; he must have some land of his own, a God of his own, a language of his own. Most of all he must have love and devotion for his own kind.
It takes a man of genius to travel in his own country, in his native village; to make any progress between his door and his gate.
I don't doubt that a man can live perfectly well on his own, but I'm convinced that he begins to die as soon as he closes the door of his house behind him.
It becomes 'one's own' only when the speaker populates it with his own intentions, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own
It is often to be observed, that as in digging for precious metals in the mines, much earthly rubbish has first to be troublesomely handled and thrown out ; so, in digging in one s soul for the fine gold of genius, much dulness and common-place is first brought to light. Happy would it be, if the man possessed in himself some receptacle for his own rubbish of this sort: but he is like the occupant of a dwelling, whose refuse cannot be clapped into his own cellar, but must be deposited in the street before his own door, for the public functionaries to take care of.
The whole world, from the least to the greatest, must know the truth, so that man may understand the great laws that govern his life. He must learn to control his own destiny, to heal his own body and bring happiness to his own soul.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
Everybody who cares for his art seeks the essence of his own technique.
With only one life to live we can't afford to live it only for itself. Somehow we must each for himself, find the way in which we can make our individual lives fit into the pattern of all the lives which surround it. We must establish our own relationships to the whole. And each must do it in his own way, using his own talents, relying on his own integrity and strength, climbing his own road to his own summit.
I deny that art can be taught, or, in other words, maintain that art is completely individual, and that the talent of each artist is but the result of his own inspiration and his own study of past tradition.
The leftist is anti-individualistic... He is not the sort of person who has an inner sense of confidence in his own ability to solve his own problems and satisfy his own needs.
This site uses cookies to ensure you get the best experience. More info...
Got it!