A Quote by Anna Camp
There is something so great about film and television where you can convey an emotion in
the blink of an eye which you would perhaps not be able to do to the back row of a theatre, like
over 1000 seats, and there is something so subtle and beautiful about that too.
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When you are modelling, you are creating a picture, a still life, perhaps something like a silent film. You convey emotion but you are only using your body.
If you swap it about, do television, theatre, film, you can go on surprising yourself. The problem is you get employed to do something you've already done. They want something from that sheep pen of performances they've seen you do.
Our biggest art forms are film and television, and there hasn't been a great film about 9/11 yet, nor has there been a great television series. Something like The Wire gives us a rich and fully achieved picture of the wasteful, cruel War on Drugs; something like The White Ribbon gives a perspective on World War I that could only have been presented long after the event itself.
The key to having something beautiful is being able to convey a normal human emotion but say it in a way that's never been said.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
I look back and half of Ramadan is over in the blink of an eye. Before I know I'll be saying that about my entire life
I am always trying to convey something that can’t be conveyed, to explain something which is inexplicable, to tell about something I have in my bones, something which can be expressed only in the bones.
We live less than the time it takes to blink an eye, if we measure our lives against eternity. So it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much, if our lives are nothing more than the blink of an eye?...I learned a long time ago, Reuven, that a blink of an eye in itself is nothing; but the eye that blinks, that is something.
I have the terrible feeling that, because I am wearing a white beard and am sitting in the back of the theatre, you expect me to tell you the truth about something. These are the cheap seats, not Mount Sinai.
When I wrote a song, it would have to be from something I was really excited about, or a melody that's been haunting me for weeks, or a message I wanted to convey lyrically. So it would have to start from something I felt very strongly about.
There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.
The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.
Perhaps it would have been easier if I said that not being able to find something is like suddenly not remembering the words to your favorite song that you knew by heart. It’s like suddenly forgetting the name of someone you know really well and see every day, or the name of a television show you watched for years. It’s something so frustrating that it plays on your mind over and over again because you know there’s an answer but no one can tell you it. It niggles and niggles at me and I can’t rest until I know the answers.
I always had something to think about or draw from, which as an actor is a gift. The beautiful thing about film is that it gets so much closer than stage. I love stage and that's what I started doing and it's a beautiful art form in of itself, but in film you can move your eyes to the side and somehow the audience can fill in the blanks of what you're thinking.
I do still like television very much, but the theatre does really have something special about it.
They were indeed what was known as 'old money', which meant that it had been made so long ago that the black deeds which had originally filled the coffers were now historically irrelevant. Funny, that: a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of.
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