A Quote by Anna Chancellor

In the theatre, if you say 'Macbeth', all the actors will start looking very anxious. I'm so well-trained not to say it in the theatre that I can hardly say it in normal life.
There are many actors who'll make their living in other areas, and they'll say they don't like theatre. What they're saying is that they're afraid of theatre because they know it will separate those who can from those who can't.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
I tried theatre. I played Miss Hannigan for a short run of Annie at a regional theatre. That was fun. I enjoyed it! I enjoy theatre and have so much respect for theatre actors.
I trained in the theatre and I love the theatre. I get such a thrill seeing anything in the theatre.
To be honest, I am not theatre-trained and though I am confident in my skill set, to do theatre requires a better-tuned set of muscles and I sometimes defer to actors who are better trained. But at the times I do want a shot, I'll go for it, especially if the piece speaks to me and the opportunity comes up. The immediate response from a theatre audience is so thrilling, affirming, and soul-feeding; to know how you've affected an audience at curtain can be ego-blowing, both good and bad.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
Theatre is my first love. I don't understand why people say that theatre can't give you money.
I love theatre. I think it's the home of most actors...most actors start with it. It's so enjoyable to do and to be able to see your audience. And the process of theatre is great.
As for theatre, there's ups and downs to everything. Theatre is ephemeral. But that is part of its charm because you can always say the production was better than it was.
Movies are not scripts - movies are films; they're not books, they're not the theatre. It's a completely different discipline, it exists on its own. I would say that the beauty of it is it's not the theatre, it's not done over again. It's done in bits and pieces. Things are happening which you can't get again. I forbid anyone to say "Cut", the soundman, the operator, or whatever.
I crave the variety, I really do. I'd probably say standup as I think that's what I do best, if I may say so. But it can be a really self-absorbed, obsessive way to live your life, whereas doing theatre is very collaborative and creative and intense, I'd hate to miss out on that.
I deliberately look for colorful people. They're very right for theatre. Theatre has to be theatrical. If you can get color into the accountant, you've got something. Write the whole thing first and then say he's an accountant. That's a very wacky accountant, but so what? Theatricality feeds and challenges the actor, the director, and the designers.
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
Whenever I'm in theatre situations I will go out of my way not to talk about my father, but in the film world I can be really proud of my family and say, 'You know what: my dad's a really, really famous theatre director,' because nobody has any idea.
I don't think a professional agent or theatre manager would say my career had gone as well as perhaps it should have after that first 'Oliver!' success, but then again I was never really intending to have a career in the professional theatre in the first place.
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