A Quote by Anna Chancellor

I went for endless auditions for tiny parts in obscure plays, and never got one job until I was in 'Four Weddings'. — © Anna Chancellor
I went for endless auditions for tiny parts in obscure plays, and never got one job until I was in 'Four Weddings'.
I'd been auditioning for parts for years. I never got any better at it. I'm crap at auditions. I know there are people who can walk into those rooms and make those lines sing on the page and get the job immediately. I wasn't one of them. I'm still not one of them.
I’d been auditioning for parts for years, I never got any better at it. I’m crap at auditions.
It just so happens that when I was, like, 19 or 20, I got a couple of auditions and got a couple parts with good people. Of the thousands of auditions where you don't get the part, I've done a couple of jobs where you do it and you're like, "Okay, this is good."
I've certainly had a bad attitude to my job on many occasions. Not since 'Four Weddings and a Funeral'. I've been rather a good boy and really given it everything when I've accepted a part since then, because I've been given much better parts in films.
I never talk about auditions. Even if I've got the role, I won't tell people until we're literally filming it.
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
You've got to be dedicated and throw yourself into parts and auditions in a way that is completely selfless.
I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
Socialism and Communism don't work, but neither does straightforward capitalism. We've got to get a new way of thinking and working. We blew it so there was good and bad about the celtic tiger. But we're tiny. There's four million in the country, do you know what I mean? We're tiny. Four million in a country, how many is in New York? Seven? Ten? But we're strong, so hopefully we pull through.
Auditions are so much fun. A lot of people dread auditions; they think they have to do it in order to get the job. I don't really mind if I don't get the job, as long as I get to do something interesting in the audition. It makes me feel more creative as a person.
During the fourth year of college, I heard about auditions for a musical for which I got chosen. There after, I continued acting in plays and improved.
I like to go for auditions. I enjoy that aspect of this job until I actually need a job, and then that becomes a problem. The worst thing is to build yourself up for a role and not get it, so now I'm just taking every day as it comes and trying not to rely on anything.
I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.
Weddings are never about the bride and groom, weddings are public platforms for dysfunctional families.
You do get used to the ups and downs, the rejection of auditions and not getting parts, and so when you do get a job, it feels really special, and you try to hold onto it for as long as you can.
For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
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