A Quote by Anna Chlumsky

Kids are brought into show business because they are cute and see truth and they're very bright. But there's a sense of doing it because you want the adults to be approving of you. You want to make them happy.
I don't sense that people are loving the adults the way they have learned to love kids, because the truth is, they're not going to be cute in the same as kids are. And they shouldn't have to be cute to deserve and merit our attention and support.
When you're a child, no matter if you're doing show business or sports or school or anything, you just want to make the adults happy.
[E]verywhere I'm looking at kids, adults mostly don't seem to like them, not even the parents do. They call the kids gorgeous and so cute, they make the kids do the thing all over again so they can take a photo, but they don't want to actually play with them, they'd rather drink coffee talking to other adults. Sometimes there's a small kid crying and the Ma of it doesn't even hear.
If you're doing a family movie, you don't want it to be stupid. Farting chihuahuas is not my idea of entertainment for kids or adults. So you try to make a movie that adults can see on one level, and kids can see on another.
It's always hard when you make a movie that's fundamentally about kids for adults. How do you make people aware of who the adult cast is without making them feel that the adults are the center of it? You don't want to make it misleading, but at the same time you want to make it appealing.
I keep my kids out of the whole business entirely. Allegra and Lucas are five and six and I'm not interested in them doing any acting at all. I don't want my kids in show business. I keep them as far away from my work as possible.
The StarTalks - while kids can watch them, they're actually targeted at adults. Because adults outnumber kids five to one, and adults vote, and adults wield resources, and adults are heads of agencies. So if we're going to affect policy, or affect attitudes, for me, the adults have always been the target population.
Now I've got kids, you wouldn't want them to suffer because of a perception of you. I try to be very careful where I do things and make sure I know why I've done them. I wouldn't want them to be stigmatized.
I don't usually direct actors in the classic sense of that word. Instead, I try to remind the characters before the shoot what's going on in a very simple way. I then watch them, their inventions as actors, approving or not approving what they're doing.
I am convinced that if we lose kids to the culture of drugs and materialism, of violence and war, it's because we don't dare them, not because we don't entertain them. It's because we make the gospel too easy, not because we make it too difficult. Kids want to do something heroic with their lives, which is why they play video games and join the army. But what do they do with a church that teaches them to tiptoe through life so they can arrive safely at death?
I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
Adults don't get nearly the attention and support the kids do, maybe because they're not as cute or because people forget that autism is lifelong. But it is.
And what’s important to you?” I asked. Marshal thought while we maneuvered around Darth Vader, who was struggling to keep from hitting the wall with his helmet blocking his vision. “Success at work. Having fun doing it. Caring for someone and supporting their interests because you like to see them happy. Having them care about and support yours simply because they want to see you happy.
It’s like when you’re excited about a girl and you see a couple holding hands, and you feel so happy for them. And other times you see the same couple, and they make you so mad. And all you want is to feel happy for them because you know that if you do, then it means you’re happy, too.
I meet a lot of young people that want to go into acting because they think of what it will do for them. If that's the case, it can be a very, very painful profession. But if the kids want to do acting because they love it, and they want to give to it, then they can have a great life. It's really about as simple as how you look at it.
The truth is, people go to shows because they want a show. They want showbiz. When people talk about a show they saw it's not because they heard a song, it's because they were excited and geared up about the show.
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