A Quote by Anna Chlumsky
Whenever people are excited about 'My Girl', I always think if I met the kids from 'The Neverending Story.' I would probably be the same way.
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I feel excited in that I think boys born to feminists have a leg up. At least, the ones I've met seem like they do. There's something really vital about that exchange. I think I'd only imagined, beforehand, handing down a feminism to a young girl. But I'm newly excited by the challenge of raising a boy.
I think whenever people talk about the 'Anna Sui woman,' they're talking about someone that's probably kind of more downtown, and there's always like this ambiguity: Is she a good girl, or a bad girl?
Any music star would be singing about his lost love. A movie would be about a relatable incident; it wasn't an untouchable magic dragon box. It was something that people could relate to, and when I vanished a girl, it would be a story about a girl that left me, or a cutting into pieces would be a date with a magician. I wouldn't just vanish a girl in a shower, I would do the shower scene from Psycho [1960] with a [Alfred] Hitchcock cameo.
People who take books on sex to bed become frigid. You get self-conscious. You can't think a story. You can't think, "I shall do a story to improve mankind." Well, it's nonsense. All the great stories, all the really worthwhile plays, are emotional experiences. If you have to ask yourself whether or not you love a girl or you love a boy, forget it. You don't. A story is the same way. You either feel a story and need to write it, or you better not write it.
I think that actually the rhythmic nature of picture books and of young reader story books is a way to help kids fall in love with language and what you can do with it and how it sounds in your range. It sort of has a musicality but on the other hand they get the story and the ideas and the context of it. I think it's a way to get kids into it and I also think that when kids are around people who love books it rubs off on them.
One day in 1965 Rajiv wrote me from London, where he was studying, and informed me, 'You're always asking me about girls, whether I have a special girl, and so forth. Well, I've met a special girl.' And when Rajiv returned to India, I asked him, 'Do you still think about her in the same way?' And he said yes. But she couldn't get married until she was twenty-one, and until she was sure she'd like to live in India. Sonia is almost completely an Indian by now, even though she doesn't always wear saris.
I was thinking about framing, and how so much of what we think about our lives and our personal histories revolves around how we frame it. The lens we see it through, or the way we tell our own stories. We mythologize ourselves. So I was thinking about Persephone's story, and how different it would be if you told it only from the perspective of Hades. Same story, but it would probably be unrecognizable. Demeter's would be about loss and devastation. Hades's would be about love.
I think people get excited about someone discovering something that blew their mind when they were younger. I think it makes people kind of nostalgic and happy. That's one of the really great things about the Internet, that it can bring people together in that way of just being interested in the same stuff.
For me, when we came out with a TV show, my HBO show, so much of the feedback was, "How do I do it?" And my response was always the same: "Just make something." Stop talking about it. You do in a way that the work takes on a life of its own. Like the "Signature" series [(2008), in which the artist trekked across the United States in the shape of his own signature] was a simple concept that became this story about the people you met along the way.
It meant the world to see kids excited about theatre. That's the great thing about 'Hamilton' for me is to see young people who wouldn't normally think theatre is cool being really excited about how it works and getting involved.
I don't want to write things that people don't want to read. I would have no pleasure in producing something that sold 600 copies but that was considered very wonderful. I would prefer to sell 20,000 copies because the readers loved it. When I write books I don't actually think about the market in that way. I just tell myself the story. I don't think I'm talking to a 10-year-old boy or a six-year-old girl. I just write on the level the story seems to call for.
Did you really think I would be this excited about college if I thought I'd be leaving my girl behind?
I would say is that kids know about Bernie Sanders and they`re off the radar.In the same way kids knew about Twitter before their parents did.
Whenever you think that your needs are not being met, you’re telling the story of a future
I always used to watch 'Labyrinth' and 'The Neverending Story.' Those were like my two favorite movies that I would watch over and over and over again.
It's like he would take a photograph of Sam, and the photograph would be beautiful. And he would think that the reason the photograph was beautiful was because of how he took it. If I took it, I would know that the only reason it's beautiful is because of Sam. I just think it's bad when a boy looks at a girl and thinks that the way he sees the girl is better then the girl actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera. It's very hard for me to see Sam feel better about herself just because a boy sees her that way.
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