A Quote by Anna Chlumsky

As actors we're supposed to be our character's advocate. — © Anna Chlumsky
As actors we're supposed to be our character's advocate.
I think all actors are supposed to be character actors.
So I'm always inspired by my fellow actors. And that's kind of a constant for me. I have huge respect for our profession and our craft. And I seek in my work to create connections, first for me with the character and then the character with the other actors, and then ultimately, all of us together connecting with the audience in a way that sometimes is subliminal, even.
My character isn't supposed to be flashy and be over-the-top. I'm supposed to be dirty in the ring. I'm supposed to kick and punch, and I'm supposed to cheat and find ways to win at all costs.
We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.
There are etiquette things that actors, new actors, need to know about. Because it only takes one mess-up on a set to get fired. Not being where you're supposed to be or saying something to the wrong person that you're not supposed to say, and those are like basic things that the actors need to know.
There's two types of character actors. There's character actors who play all different characters. Or there's actors who always play the same part; they're just a bit funny-looking.
I immensely enjoy any experience directing. I've never hated it, and I've had bad experiences. At the end of the day, I just feel like I'm supposed to be on a set. I'm supposed to be working with creative people. I'm supposed to be working with actors and I'm supposed to be manning a project in this capacity. It's interesting.
Particularly, the actors, to have analyzed the script in great detail from the point of view of their specific character. So that they have a handle on exactly where the character is in the chronology of things. In that sense the actors become your best check on the logic of the piece, and the way in which it all fits together. They become essential collaborators. The main thing is you have to work with very smart actors.
There's posh character actors. For God's sake, Olivier was one of the greatest character actors in the world. Hamlet, Shylock, Othello - Othello! Whether you like it or not.
We live in the golden age of character actors - in an age when actors who have done their time in character roles are frequently asked to carry dark movies and complicated television dramas.
We're supposed to be civilized. We're supposed to go to work every day. We're supposed to be nice to our friends and send Christmas cards to our parents.
People represent their constituencies and have particular interests based on who they are and the experiences that have formed them. You don't have to be a child to be an advocate for children. You don't have to be a woman to be an advocate for women. You don't have to be Hispanic to be an advocate for Hispanics.
The whole idea of a democracy is that we ourselves, the people, are supposed to make a path of our politics, and it is we who with our feet and our vote and our labors and our vigilance are supposed to shape our country.
As a young actor, I was advised to bide my time. Back then, there weren't good roles for someone like me. There were handsome leading men and character actors for smaller supporting roles. But I was told to hang in there, and it was good advice. We're all character actors now. Even a handsome man is a character actor at my age.
I love what I do. And in the true sense, from my training, I try to create a character each time. It is something I do. But I don't want that term to limit what I can do. I prefer people to say to me, 'You're one of my favorite actors,' rather than 'You're one of my favorite character actors.' It sounds like a slam.
You know, the truth is that us actors would all like to believe we re-invent the wheel, every time we play a character. But, we're human beings and our instruments are not violins, they are our bodies and our consciousness and our collective life experience.
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