A Quote by Anna Deavere Smith

I write plays about big, intense subjects. — © Anna Deavere Smith
I write plays about big, intense subjects.
I wanted to write plays. I was at Yale graduate school at the time for English literature, not for acting... I liked the idea of collaboration, and I thought if I'm gonna write plays, I should learn something about speaking the lines that I might try to write.
I wanted to write a commentary on the Bible, to write about the Talmud, about celebration, about the great eternal subjects: love and happiness.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
Plays are always about intense relationships, whether they're intense love relationships or family relationships or existential relationships.
I do write about race a lot, but I don't think writers - of any shade or background or whatever - have to write about certain subjects.
While I would agree that I write about serious subjects, and that they're not necessarily the most pleasant subjects or even the most pleasant people, as a writer I just think about the humorous aspects of these things - that's what keeps me going when I'm writing a story.
To write about history or language is supposed to be within the reach of every man. To write about natural science is allowed to be within the reach only of those who have mastered the subjects on which they write.
Other people can write grown-up, political plays about the troubles in the world. My plays deal with magic and hope.
The final product becomes a passionate reflection of all that was revealed to me about my subjects during intense moments of personal clarity.
So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.
There's nothing personal in it [THE SKRIKER]. I'm not ever inclined with any of the plays to say, This is about that, because plays are about the whole event that they are. . . . I was certainly wanting to write a play about damage - damage to nature and damage to people, both of which there's plenty of about. To that extent, I was writing a play about England now.
I only write about stuff I know. I don't have a lot of experience with boys and stuff so I write a lot of songs about interesting and strange subjects that people wouldn't write songs about.
A lot of the characters I play have problems, they are marginalised, they have serious psychological problems, problems with relationships, with childhood. These are big subjects, big subjects. You can't balk at work like that. As an actor, that's as good as it gets.
Even if you're an angry, intense person, you also have to have intense joy about life and intense feelings about the world.
I love to write. I used to be a math teacher. And I like the idea that other people could write about the same subjects, but no one would write it just the way I do. It's very individual: a child could write the same story as somebody else, but it wouldn't come out the same.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
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