A Quote by Anna Deavere Smith
Movies, as evidenced by a chorus of protesting and celebrating Americans, influence broader trends.
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I think it's important to realize that the players who are protesting aren't protesting the anthem. They're not protesting the flag. People kind of move the goalposts on them and try to tell them what they're protesting. But as they keep saying, that's not what they're protesting.
My own thinking has evolved. You find Africanisms in American speech. You find an African influence on United States culture. There are all kinds of Africanisms in America, as you would expect, if you really thought about it... That whole thing is much broader; the influence is much broader than I first understood.
One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.
Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
There's a clear distinction between activities that threaten the security and integrity of our election systems, and the broader threat from influence operations designed to influence voters.
There are a bunch of different movies I feel that way about. However, there is a debate because as you may know after MST3K ended there have been things like Cinematic Titanic that are the children and the grandchildren of this way of dissecting movies and making fun of them and in a way celebrating the absurdity of those movies as well. There are certain movies that sort of fit into the MST3K paradigm which is hidden gems, these weird horror/sci-fi/fantasy movies.
We need a broader party. If we're not doing better with millennials and women and Hispanics, African Americans, Asian Americans and others, we will have a tough time being a majority party at the national level.
Perhaps inevitably, media stories focus on differences, which exacerbates tensions; yet Islamic radicalization is, in part, an acute expression of broader trends that affect us all.
History shows one important fact: the results of competitive special elections from Hawaii to New York are poor indicators of broader trends or future general election outcomes.
I hadn't watched any Hitchcock movies when I made 'Tom at the Farm,' except for 'Vertigo' when I was 8 years old. I don't have a sophisticated film knowledge, but I have seen the legacy of classic movies in broader entertainment.
I just don't want to copy the current trends or do movies for teenagers. I want people to get more out of movies.
"Face Again" is actually the most George Saunders-y song. Basically the verses, I'm describing a world where love is being killed, and then in the first chorus, I'm sort of protesting it. It's like, "I don't think you know what's best for me." And then by the end, it's like I've given in, and it becomes very desperate.
The problems in our educational system are indissociable from broader malignant trends in our society, and they can't be solved by lots of testing and by punitive actions against schools that are not performing well.
Well, I tell you... the first chorus, I plays the melody. The second chorus, I plays the melody round the melody, and the third chorus, I routines.
When the Beatles wrote 'Paperback Writer,' it couldn't have been the same old thing. You can hear so many influences in it, from the blues to Bach, and it's not just verse, chorus, verse, chorus, bridge chorus. They start off singing a cappella, almost like a Bach chorale, and the song goes into this bluesy guitar riff.
With 'Brick' there was the Dashiell Hammett influence, and with 'Brothers Bloom' there was a really strong Fellini influence - both those movies wore that on their sleeve.
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