A Quote by Anna Deavere Smith

In my profession, I'm around a lot of people whose bodies are their instruments in one way or another. — © Anna Deavere Smith
In my profession, I'm around a lot of people whose bodies are their instruments in one way or another.
Everybody's got their tools or their instruments, and it's fun to see how people expose themselves to their profession or their profession becomes who they are.
Eleanor Roosevelt could easily have told negroes the deceitful maneuvering of the United States government that was going on behind the scenes. She never did it. In my opinion she was just another white woman whose profession was to make it appear that she was on the negro's side. You have a lot of whites who are in this category. Therefore, they have made negro loving a profession.
I love the physicality of instruments, and instruments as objects, like dancers are bodies.
Do you think there's such a thing as a ghost who masquerades as a person? Do you believe that there are people whose bodies are still alive here on earth but whose souls are already in hell?
A lot of the Russian economy is built around people who are one way or another milking the state and taking money from the state and recycling it into their private bank accounts. And there are a lot of people who are taking advantage of that, so it's not just one person. It's a kind of web of people doing that, and that's how the system stays in power and how people stay in control.
The bottom line is I'm writing to save the dead. I'm writing to save the people I have lost, some of whose bodies are still walking around.
I use the words gods and goddesses principally, I think, to mean beautiful bodies - bodies that are absolute instruments. And I believe in discipline, I believe in a very definite technique.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
We are more than our bodies, it is true; but we cannot be divorced from them. They are us, and the only way in which we can see one another. Perhaps the gods are above this, but in their mercy, they have given us the guise of bodies.
Are not gross bodies and light convertible into one another; and may not bodies receive much of their activity from the particles of light which enter into their composition? The changing of bodies into light, and light into bodies, is very conformable to the course of Nature, which seems delighted with transmutations.
I don't think I see the way bodies move in any special way. People say I do, but everybody moves. I don't see why all of a sudden I'm a specialist in the way bodies move.
If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot.
I want people to read them and enjoy the experience and feel entertained. A lot of the best stories revolve around strange people, people whose decisions and logic and circumstances are not easily understood.
There are teachers' unions around the country realizing they want to improve standards of the profession, improve the quality of their profession, and ultimately attract the best and the brightest to their profession. The vast majority of teachers are dedicated and committed.
We had a bunch of instruments around the house. Like, I played different instruments, trumpet, bass, drums, piano, all that, but whatever I could get my hands on.
I had tremendous fun fooling around with the way people talked about songs, just the way that became another way of understanding the world.
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