A Quote by Anna Deavere Smith

You know, real artists, we expose our flaws. We long for intimacy. — © Anna Deavere Smith
You know, real artists, we expose our flaws. We long for intimacy.
The word mystical is an even worse word than spirituality - that artists take drugs, and then they add some crazy extra thing to what we all know is real. But our job as artists or as human beings is to investigate what we really think is real.
Marriage is a way to avoid intimacy. It is a trick to create a formal relationship. Intimacy is informal. If a marriage arises out of intimacy it is beautiful but if you are hoping that intimacy will arise out of marriage, you are hoping in vain. Of course, I know that many people, millions of people, have settled for marriage rather than for intimacy - because intimacy is growth and it is painful.
Intimacy doesn't have all that much to do with backseats of cars. Real intimacy is brushing your teeth together.
Favored Nations is a long-term commitment. Our hope is that those who are passionate about real musicianship will want to hear and own most of our albums. We will set out to attain the same direct relationship with our customers that we have with our artists.
There's a kind of intimacy that can happen between musicians, and if they're people you enjoy and respect as humans, that intimacy is a real privilege.
Fiction has always been a way of examining society and its flaws and trying to expose them.
The trick is finding a person whose flaws don't drive you crazy...you know...someone whose flaws you can live with...someone who can stand your flaws, too.
This had been real: real in its flaws and uncertainties, real in its small triumphs, real in its compromises and understanding.
Artists love other artists. Shadow artists are gravitating to their rightful tribe but cannot yet claim their birthright. Very often audacity, not talent, makes one person an artist and another a shadow artist-hiding in the shadows, afraid to step out and expose the dream to the light, fearful that it will disintegrate to the touch.
We all have our flaws. But we overcome them. And sometimes, it's our flaws that make us who we are.
To a certain extent that happens with all kinds of successful writers and artists and celebrities, but there is also something about the form of memoir that creates an eerie reader space of intimacy that is only "real" in the space of the text.
Digital intimacy ruins the appetite for the real thing. So, when kids are gaming or even when spouses are gaming, they lose their appetite for genuine intimacy. Kids lose their appetite for getting their intimacy needs, their hunger for significance and attachment, with the family, and it erodes the relationship between them and their parents.
Delirious as it can be, sex is only one kind of intimacy, and yet has become the cultural catchment area for all kinds of needs because our understanding of intimacy is so poor. Brutal work schedules, related geographic isolation, and the concomitant fracturing of families has meant that there is little time for intimacy, and even less to teach the necessary skills. But intimacy, the axis of romance, is slow, based on the sharing of a life rather than show. In terms of intimacy, folding laundry together or sharing the feeding of a child can have more impact than the most extravagant bouquet.
I want to be able to show people that I have flaws and they have flaws, too. And you know what that means? No one out there is perfect.
Everyone has flaws. We are only human after all. But what's important is, we don't let our flaws stand in the way of what we can achieve.
If you're not going to tell something if you're not going to expose something it's real easy to go in and photograph from behind the camera and not expose any of your weaknesses.
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