A Quote by Anna Deavere Smith

Some people study a text very deeply. The people are my text. I study their words and what their words sound like, over and over again. When I was a kid, my grandfather said that "if you say a word often enough, it becomes you." Thinking of that later in life gave me this idea that I could try to become America by learning the words of people from many aspects of the country. It doesn't matter how educated they are. By living in the world and living their experiences, they bring extraordinary truths. I try to do those truths justice.
When I was a kid, my grandfather said that "if you say a word often enough, it becomes you." Thinking of that later in life gave me this idea that I could try to become America by learning the words of people from many aspects of the country.
Some people study a text very deeply. The people are my text. I study their words and what their words sound like, over and over again.
When I was a little kid, I realized that if you say any word over and over fast enough, it loses all meaning. I'd lie awake saying the words over and over to myself--'sugar,' 'mirror,' 'whisper,' 'dark.' 'Sister,'" he said softly. "You're my sister." "It doesn't matter how many times you say it. It'll still be true." "And it doesn't matter what you won't let me say, that'll still be true too.
Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.
We have a text before us, an ancient text, a living text, and we try to enter it, not only to decipher it, but to penetrate it, to become part of it, similar to the way every student becomes part of a teacher's texture. That's how I see our [with Frank Moore Cross] two differing approaches.
There are some people that aren't into all the words. There are some people who would have you not use certain words. Yeah, there are 400,000 words in the English language, and there are seven of them that you can't say on television. What a ratio that is. 399,993 to seven. They must really be bad. They'd have to be outrageous, to be separated from a group that large. All of you over here, you seven. Bad words. That's what they told us they were, remember? 'That's a bad word.' You know bad words. Bad thoughts. Bad intentions.
All people in the world - who are not hermits or mutes - speak words. They speak different languages, but they speak words. They say, "How are you" or "I'm not feeling well" all over the world. These common words - these common elements that we have between us - the writer has to take some verbs and nouns and pronouns and adjectives and adverbs and arrange them in a way that sound fresh.
Sound words can't be understood through formal study of the language alone. They're felt when you immerse yourself in the culture or lifestyle that becomes a part of you. The Japanese language is abundant with onomatopoeia. Even though I've lived in Japan a long time, sound words are still an uncertain territory. And I think new words are being created every day. Even when I don't know a word I can sometimes connect it to a meaning using the sensations produced by the sounds, which feels like I'm playing with words.
It doesn't matter if you and everyone else in the room are thinking it. You don't say the words. Words are weapons. They blast big bloody holes in the world. And words are bricks. Say something out loud and it starts turning solid. Say it loud enough and it becomes a wall you can't get through.
Generally, the imagery and the text go hand in hand. It's much easier when the text comes first, but sometimes I need visual stimulation in order to find the words. I get an idea of what I want when I begin to shoot, and the text is usually the last thing to be resolved. I tend to leave the text open, and I refine the words up to the last minute. As for the image, I can resolve that and get that done fairly quickly.
He loves me." "You sound surprised." "Nobody ever did. Not like this. It's easy to say, for some people. The words. But it's not just words with Roarke. He sees inside me, and it doesn't matter.
I have a passion for words. I love words. And I'm just learning and developing my skills for words. I do books and I do journalism and plays. I have a broad palette. I don't have a great eye for direction. I love working with actors and I work very well with them because I appreciate what they bring to the table. I'd never say never, of course, but I look at it and don't really fancy it. I want to try and master the word side of it first.
I get real brave when I text people. When I text people, I am so brave because it's words, but you can't say stuff.
A lot of people have found the idea of living your life over and over again absolutely terrifying; there's some people that find it very comforting. There are others that are appalled by it.
I've always been suspicious of collective truths. I think an idea is true when it hasn't been put into words and that the moment it's put into words it becomes exaggerated. Because the moment it's put into words there's an abuse, an excess in the expression of the idea that makes it false.
There are many reasons our prayers may lack power. Sometimes they become routine. Our prayers become hollow when we say similar words in similar ways over and over so often that the words become more of a recitation than a communication.
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