A Quote by Anna Dello Russo
Color me! Accessorize me! Shock me!
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A visit to Marrakesh was a great shock to me. This city taught me color.
I say accessorize, accessorize, accessorize. If you don't accessorize, someone else will.
...they told me of color, that it was an illusion of the eye, an event in the perceiver's mind, not in the object; they told me that color had no reality; indeed, they told me that color did not inhere in a physical body any more than pain was in a needle. And then they imprisoned me in darkness; and though there was no color there, I still was black, and they still were white; and for that, they bound and gagged me.
I did some films in college, and I remember working with this director that wanted to shock me so that I'd give him an expression of shock, so he poured scalding hot water on my arm during the take. He splashed it on me. He got his expression of shock, but I also got, like, second-degree burns!
When people like me, they like me "in spite of my color." When they dislike me; they point out that it isn't because of my color. Either way, I am locked in to the infernal circle.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.
I was on the set of the first Powers pilot, and an actor of color came up to me and said, "When I was a kid, my friends wouldn't let me play Batman or Superman, because I wasn't their color. But they would let me play Spider-Man. And that's the difference." And I realized I had heard this story a hundred times from different people, but I wasn't there in my head yet.
If you force me to pick one color, it'd be Black... It covers up the things inside of me that I don't want to be known. Well, for the same reason, black is the color I hate, too.
It was incomprehensible to me that someone who had never seen me before, someone who knew absolutely nothing about me, would want to inflict pain upon me for no other reason than the color of my skin.
I am so grateful that the public has given me this gift. They look at me as a person - not as a race or a color. The word for it is freedom - to be accepted as me.
When Mahavishnu came out in '71, the unbelievable reaction to the band was a real shock to me. It was a shock to everybody.
I don't wear a lot of color because I live in New York, and I'm sort of color-blind, so colors don't match to me a lot of the times, and it makes me anxious. So I'll always defer back to black.
My parents would have to put the fire hose on me to get me out of bed, to go to school in the morning. They would use a cattle prod and just shock me, or throw boiling water on me, or fire a gun next to my head, to get me out of bed.
Color does to me what the touch of the earth did to the giant Antaeus - sends new life, vitality, courage, initiative surging through me. Sometime the scientists will discover that color is a renewer of life.
One fella went on the internet and got lots of photos of me in Love Actually, topless and naked and stuff, printed them off, stuck them on A4 paper, laminated them and sent them to me for me to sign. I was away and asked my husband to open all my mail for me, so he got quite a shock. And another man sent me a picture of a face where the nose was a willy.
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