A Quote by Anna Faris

I feel, for the most part, especially in comedy, you make your own work, and maybe that's true across the board. — © Anna Faris
I feel, for the most part, especially in comedy, you make your own work, and maybe that's true across the board.
You belong in the most secret part of you. Don’t worry about cool, make your own uncool. Make your own, your own world. If you fear, make it work for you—draw and paint your fear and anxiety.
It's rough to feel creatively satisfied, as an actor, for the most part, because you don't initiate your own work.
The charm of the words of great men, those grand sayings which are recognized as true as soon as heard, is this, that you recognize them as wisdom which has passed across your own mind. You feel that they are your own thoughts come back to you.
When I work on my own stuff - and I think this is true for anybody - but when you work on something that you just completely own, you are trying to stay as true to your own storytelling voice as you can.
You look across the board at comedy quiz shows, and they are mainly hosted by men.
Raising the minimum wage a lot across the board would make a big difference. It's not the only thing, but it's an indispensable part of solving the problem.
Make your own worlds. Make your own laws. Make your own creations, your own star systems. Don't feel answerable to anyone, or as though you have to create after some preordained model. You don't have to write like myself, or King or Anne Rice: be yourself. Nothing is more wonderful than discovering a new voice, particularly if it happens to be your own.
I feel that every professional is the art school for the next guy. I feel that maybe a lot of the dynamism in my own work, having been felt by the rest of the artists, they'll react to it and put elements of that in their own work, feeling that it'll help it.
I maybe need a break, because I feel like I've done every iteration of it, and that's what's been great, you know - 'Mr. Brooks' is so different from 'Friday the 13th,' which is so different from 'The Crazies,' which is different from 'Piranha.' So, I feel like I've kind of covered it across the board.
As an artist - I'm sure like most creative people - you have a kind of board of directors that you make your work for. It's a group of people that you have, these friends, and you want to know what they think. In a weird way, you're making the work for them.
Maybe learning how to be out in the big world isn't the epic journey everyone thinks it is. Maybe that's actually the easy part. The hard part is what's right in front of you. The hard part is learning how to hold the title to your very existence, to own not only property, but also your life.
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life."
Most of our occupations are low comedy.... We must play our part duly, but as the part of a borrowed character. Of the mask and appearance we must not make a real essence, nor of what is foreign what is our very own.
All good writers across the board, if they're dealing with real tragedy, they will give you comedy in it. And if they're dealing with real comedy, there will be tragic moments in it.
I'm not saying that comedy has to be a certain thing - I'm not trying to define comedy, where it's like, it can only be silly things. But I think part of what makes a comedy is that at least part of the mantra of the show is trying to make people laugh.
All my dreams are coming true all across the board for some reason.
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