A Quote by Anna Faris
My comedy does not come from a place of deep cynicism, and I tend to play characters who are naive in some way.
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I always find it actually funny that the analysis is that the characters I play in comedies are the manchild, the adolescent, characters that refuse to grow up. And yet, if you look back in the history of comedy all the way back to the Marx brothers, that's a big part of comedy.
I definitely prefer working in comedy over drama, but at the same time, when it comes to comedy, I tend to prefer comedies that have a great sense of truth to them and that come from an honest place.
I tend to play strong characters and people just assume that I would want to play romantic comedies, which I would love to do, but there are other women that do it so great and they maybe couldn't do what I do, play the kind of characters that I play.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
I'm at a place of deep cynicism about American politics.
There are lots of variables that come into play in the industry, like attending parties and dating actors. When you don't indulge in all this, you tend to get affected in some way.
I've gotten to play some pretty intense characters and I tend to think it's therapeutic for me.
America is still a government of the naive, for the naive, and by the naive. He who does not know this, nor relish it, has no inkling of the nature of his country.
I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.
I never understand when people say, 'Do you do comedy or tragedy?' I don't think they're very much different. They both have to be true, and there isn't a great play in the world that doesn't have funny parts to it - as 'Salesman' does, as 'King Lear' does. The whole idea is to reflect life in some way, which means surely you have to have both.
My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from the people that we knew.
I do tend to have characters that I guess are in some way loners or dealing with obstacles that they have to confront that ultimately make them a better person in a way.
There is a place deep, deep inside every person that is hidden and hard to find. If things get bad enough and life gets too hard, though, some people will go to that place and never come back from it. Certainly, all outward appearances will suggest otherwise. They will look as they always did. They may even act somewhat like their old selves, but the truth is, the real truth is that they are hiding in this place deep inside where no one can touch or hurt them anymore.
The satisfaction of short fiction does not come close to the rich pleasure I get as a writer in the long deep immersion in the same long work and its growing complexity. I suppose you might say I love to wallow in my characters and imaginary worlds. I love to play with the whole necklace, not just one glittering stone.
In general, the auditions I go up for are very sparse, I guess because of my ethnicity. And the characters are very similar: shy, innocent and naive; the connotations that come from the way that I look.
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