A Quote by Anna Faris

I'm not a very good lover. I'm so nervous about my sexuality. — © Anna Faris
I'm not a very good lover. I'm so nervous about my sexuality.
It is significant that one says book lover and music lover and art lover but not record lover or CD lover or, conversely, text lover.
My father was a very unhappy person, very sarcastic, and my mother was very nervous and worried about what people thought. They weren't monsters, but it wasn't a good childhood.
This culture seems to be so obsessed with sexuality, the good and the bad of it. Every advertisement, every preacher, everybody's concerned, one way or the other about sexuality.
I was very nervous about the accent. I was very nervous about being an American.
And I also am very nervous about implants. You know, I'm just nervous about all that. So I could still do it. I could think about it. But I needed to adapt to myself.
I was very nervous about going up to teach at Stanford and very nervous even about going to ARPA.
I always get nervous. It's usually a good thing. I worry about the nights that I'm not nervous, actually.
A lover in life will be a lover in death, a lover in the tomb, a lover in paradise, a lover on the day of resurrection.
An idealistic lover is a blind lover, and therefore a true lover; a pragmatic lover is a sighted lover, and therefore a false lover.
I didn't come out and pay a really painful price often, to be LGBT, to not claim my sexuality at the same time. It's not all right with me to not talk about it so I don't make anybody nervous.
I don't think there's any intrinsic difference between a lover and a husband. ... If I were cynical, I would say that a woman should have both a good husband and a lover. But I'm not cynical so I'll just say that a woman should have a lover who's a good husband and a husband who's a good lover, perhaps both.
The visual can seduce you, leading to false deductions, and ultimately, even the finest ideas can be reduced. Take for example, sexuality. If it is reduced down to the moment and to pleasure, things like that, that's not what sexuality is all about. Sexuality was to be in tandem with the sacred, not amputated from it.
Seeing Pax get extra-nervous about which shirt he is going to wear when he meets Aung San Suu Kyi, I get very moved. He rightfully doesn't get nervous going to a movie premiere; he gets nervous going to meet her.
Taking up magic was a distraction from my sexuality. There is that 1970s cliche of the gay man as hairdresser, interior decorator, fashionista... and all of those things are about arranging surfaces in a very dazzling way - and magic is all about how you arrange surfaces. I got very good at deflecting people from things I didn't want them to see.
I was like: I'm going to ask her [Julia Roberts] out but I'm going to be very nervous about it. Then she said yes, I got even more nervous.
I stopped getting nervous a long time ago, so any time I do get nervous, which is rare - about work, anyway - I always take that as a really good sign.
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