A Quote by Anna Faris

I know a lot of actors talk about the importance of wardrobe, and it always seems like it's kind of a cop-out, maybe, because it seems like a minor detail to some people. But I think it's hugely important.
When I started out, maybe because I did Thelma & Louise early on - but people were always asking, "Are things better for women now?" I would say, "Yeah, I think so. It seems like it." Then a few years in, I started saying, "I think so. I'm getting a lot of good parts, but I don't know." Then eventually, I was like, "Google it. I don't know, but it doesn't seem great."
It's very important to me that people know that depression doesn't discriminate. A lot of people look at people who have depression and think that it's not legitimate because they're wealthy or it looks like everything seems to be doing fine. But it doesn't pick and choose. It can affect anybody in the brain, no matter how perfect your life seems.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
Gettting to know your characters is so much more important than plotting. Working out every detail of your story in advance, especially when you don't yet know your main characters, always seems a little too much like playing God. You're working out your characters' lives, their destiny, before they've had a chance to discover who they are and what kind of people they want to be.
I've never pursued a role. I always hear stories about actors going after parts and I'm, like, 'How do they do that?' It seems so weird. It seems like a total myth or something.
I write a lot of songs about love and I think that’s because to me love seems like this huge complicated thing. But it seems like every once in a while, two people get it figured out, two people get it right. And so I think the rest of us, we walk around daydreaming about what that might be like. To find that one great love, where all of a sudden everything that seemed to be so complicated, became simple. And everything that used to seem so wrong all of a sudden seemed right because you were with the person who made you feel fearless.
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.
Because I think of novels as collaborative enterprises between the writer and the reader, all of my novels so far have ending with endings that maybe point in more than one direction, and that seems important to me because it seems important to me that after you've invested twenty or thirty hours of your imaginative life into this narrative that you have some stake in how it ends.
It seems like we are moving towards something, some kind of point and it is probably going to be an important point in our development or dissolution. That is what everybody seems to be thinking.
It seems like I'm not [happy]. Because if you look at my tweets and what I think and say, it seems like I'm worried about what's going to happen.
I think it's really easy for people to point out hypocrisy in people's lives. It's like yeah, I get on planes a lot, and I drank from a plastic water bottle today - you know what I'm saying? A lot of people would just be like, "Oh, you're a hypocrite. You live in an ecovillage for a month, and then you fly around the world to talk about a movie." Don't think that I don't think about those things! Don't think that that's not, like, a quandary in my life. It can be a pretty intense ethical dilemma. I think it's about figuring out, you know, navigating life.
I feel like the world we live in seems to be full of an increasingly grey area, but the culture that we live in seems to be getting really entrenched in black and white positions, and I think it's urgent to talk about that because it's going to kill us all.
When I talk to a few thousand people, I just feel I am talking to an old friend. Like that. I never felt some kind of distance, so therefore, I feel one source of happiness. In that kind of atmosphere, my experience seems some benefit to some people.
There are not many athletes who are out. And I think it's something that's important. It felt important to me. I guess it seems like a weight off my shoulders, because I've been playing a lot better than I've ever played before. I think I'm just enjoying myself, and I'm happy.
I hope I can get to more and more of the Chinese audience and kind of lead the way to maybe, y'know, inspire seems like a big word, but y'know... inspire to get people into entertainment because I think we can be just as good as anybody else.
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