A Quote by Anna Faris

I like the idea of sort of playing quieter roles, which would be refreshing for a minute. It is exhausting being really loud and obnoxious. — © Anna Faris
I like the idea of sort of playing quieter roles, which would be refreshing for a minute. It is exhausting being really loud and obnoxious.
I would often get called in to play a very loud, obnoxious - which, truth be told, I can be loud and obnoxious. My issue was when it was like a ghetto girl; I didn't think I was good at it; I didn't feel authentic. And so I had insecurities about going in on it.
The one thing I would never wish it to be thought is that you play serious roles in order to achieve some sort of respectability which you can't if you're playing comedic roles.
I'd really like people to see me as a real actress, which I am, but they don't. It's hard to get them to see me as a musician, they just see me as a hanger-on to the Stones, which is not what I am at all. It's a good idea, and if something like that would turn up I could do a whole television show. I've thought about playing a landlady, sort of a mad '60s lady, this absolutely insane character. I would love it. It's a great idea.
People say it's a quiet flow, that it sounds like I'm in a library. That could have come from when I was living in my old place, a nice loft. I was the youngest person in the building, and I would be working alone on my music. I would get emails two or three times a month about 'loud' music, so I became quieter and quieter about making beats.
I've honestly always been an overly analytical, highly observant person. I was playing music but thinking about it at same time, which was sort of exhausting. Aside from the pain of writing - you're not really in a gang like you are in band, it's a little bit lonelier - I think it was always something that I'd wanted to do. So the transition wasn't abrupt or painful.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
People being incredibly rude and playing music incredibly badly and being incredibly obnoxious has always been a teenage sort of thing.
Because of my age, the roles that I'm in doesn't have as much depth as I would like, but that will change. Halle Berry, Angelina Jolie, they play heavy, meaty roles, which are the sort that I want to play...because of what I look like, I play with my looks, which is cool, but I've done it so many times. But one day I would love to play against my looks.
Maybe the idea of being a rockstar or being the one who's recording or playing, sort of doesn't really matter as much anymore, when you're surrounded by great musicians who bring their spirit, their own talent.
I would like to see even more women coming in to all roles, particularly into the specialisms like firearms and public order, I would like to see women being really confident and comfortable in those roles.
Well, in some ways I had sort of the opposite experience of other people that are sort of dreaming of being in a rock band. I was dreaming of like corporate lunches and just like, and I'm not really joking. Like the whole idea to me was really appealing.
I like doing what I do, but I like having the opportunity to do different things, and obviously comedy would be a fun jump. I've just been lucky enough to stay working. In my case, playing intense roles or playing character roles is something that people will hire me for, but yeah, I'd like somebody to think I'm funny. I guess we all do, right?
I think that the line between television and features started to blur a couple years ago. The standards started to become the same, which is that the idea had to be very loud. The show didn't have to be loud; the idea had to be loud. It had to cut through the clutter.
And religious music and the sort of symbolism of it and everything. But I had this idea. Actually, I sort of dreamt it. I woke up - just before waking up one morning, I sort of dreamt this song or the idea of it and the first little bit of it. And I jumped out of bed and I thought, well, you're still asleep. You're going to forget this in a minute - you know, like you do when you've had a dream.
I'd love to be one of those guys who could be like, 'Yeah, it's really exhausting,' but the truth is I'm not method. I don't take roles home.
That's the beauty of being an actress, is that you hopefully get to have different roles and really stretch yourself. This is really what I've been working for a while. I've been in the business for a minute, and it's an opportunity like this that I've been really working towards.
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