A Quote by Anna Faris
Especially in the world of comedy, it feels like you have to be proactive, in terms of pitching and trying to sell and being a part of the creation of the stuff that you do.
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I'm not saying that comedy has to be a certain thing - I'm not trying to define comedy, where it's like, it can only be silly things. But I think part of what makes a comedy is that at least part of the mantra of the show is trying to make people laugh.
Sometimes, comedy feels like the kid brother of drama, trying to get attention by being the class jokester. But it's actually really hard to tell a story while also making people laugh. It's like trying to do two jobs at once.
Whether we are aware of it or not, whether we are in control of it or not, there is a first creation to every part of our lives. We are either the second creation of our own proactive design, or we are the second creation of other people's agendas, of circumstances, or of past habits.
Why I'm so stimulated by [producing] is it becomes more proactive. Instead of waiting around for a script to come in, or some movie trying to go. You're waiting around always for that opportunity, which is great, but I like to be a little bit more proactive. I'm a very action-oriented guy - I'm a doer. The company really became this spearhead for that sort of attitude, and so that, to me, was the most exciting part of it.
I don't like comedy that I think is bad comedy, where people are trying to be sick for the sake of it, where there's no intellectual point behind it. I like stuff that's got an underlying point of view.
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. I like Louis C.K.'s stuff or Bill Burr's stuff. I feel like there's comedy where someone will think of something that they think will work comedically, and then they reverse engineer that point of view so they can say that funny thing. The comedians I like, it could be an allusion, but it feels like their point of view comes first and then the jokes are a reflection of what they actually believe, or are frightened of, or are curious about, or are interested in.
Being a Diva in a man's world, you're constantly in an uphill battle; pitching ideas, trying to get TV time, trying to get in-ring time, the whole nine yards.
Really, for me, it's important to know who's pitching and who's catching - just what that scene is supposed to accomplish in terms of storytelling. That being said, on the day, basically what you're trying to get yourself into an open place. And if the character is in a state of anxiety or vulnerability, you try to find some touchstone.
Everything changes once you start trying to market the film. Part of you feels like everything is slipping away from you. For me, I don't want people going to the theater thinking it's going to be a laugh-a-minute comedy, like a Will Ferrell film or something. Because it's not.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
I think in terms of being a New Yorker, as my friends would say, I don't take a lot of mess. I have no tolerance for people who are not thinking deeply about things. I have no tolerance for the kind of small talk that people need to fill silence. And I have no tolerance for people not - just not being a part of the world and being in it and trying to change it.
Music often happens even faster than comedy in terms of the creation.
I'm a Catholic, and I have always been fascinated by not just my religion, but religion in general, in the sense that it is the ultimate brand that they're trying to sell. Whereas Ford is trying to sell cars, the Vatican is trying to sell salvation, which is a much better product to be peddling.
I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time
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