A Quote by Anna Freud

Papa continually emphasizes how much remains unexplained. With the other psychoanalytic writers, everything is always so known and fixed. — © Anna Freud
Papa continually emphasizes how much remains unexplained. With the other psychoanalytic writers, everything is always so known and fixed.
I read continually and don't understand writers who say they don't read while working on a book. For a start, a book takes me about two years to write, so there's no way I am depriving myself of reading during that time. Another thing is that reading other writers is continually inspiring - reading great writers reminds you how hard you have to work.
It is often tragic to see how blatantly a man bungles his own life and the lives of others yet remains totally incapable of seeing how much the whole tragedy originates in himself, and how he continually feeds it and keeps it going.
Rather than saying, 'I can't do this,' 'Sesame Street' encourages us to say, 'I can't do this... yet!' That one word changes everything. It emphasizes that your capability isn't fixed. It highlights the reality that our brain is like a muscle.
My mother, along with Papa's other eventual wives - Pauline, Marty Gelhorn, Mary Welch - they all, at one time or another, no matter how angry they were at him at the moment, said, 'Look, Papa is special. He writes so beautifully. We have to let this go on.'
The truth never shines forth, as the saying goes, because the only truth is that which is known to no one and which remains untransmitted, that which is not translated into words or images, that which remains concealed and unverified, which is perhaps why we do recount so much or even everything, to make sure that nothing has ever really happened, not once it's been told.
For me, it's always been about continually challenging myself and continually figuring out how to go down the hill faster.
It is easy to forget how much you have, when your eyes are always fixed on what you have not.
Writers are great lovers. They fall in love with other writers. That's how they learn to write. They take on a writer, read everything by him or her, read it over again until they understand how the writer moves, pauses, and sees. That's what being a lover is: stepping out of yourself, stepping into someone else's skin.
Unexplained noises are best left unexplained.
We will never fully explain the world by appealing to something outside it that must simply be accepted on faith, be it an unexplained God or an unexplained set of mathematical laws.
If we attend continually and promptly to the little that we can do, we shall ere long be surprised to find how little remains that we cannot do.
We [fiction writers] are much more of a maze than we are a motorway. Things are always in flux, they're always in movement, they're always twisting back on each other. I think the straight line is such a lie.
I trained in psychiatry in the 1970s, and much of our training was about what was then psychoanalytic theory, with a little bit of theory from Jungian psychology and a few other places.
The other stuff of marriage can fade a little bit, but as long as you can laugh with your partner, that's everything because that's what remains at the end of the day. I think that's how we pick our friends and that's how we ultimately pick who we marry.
The person who will give you unexplained happiness, will also be the reason for your unexplained sadness.
I am always struck by how difficult it is for people to see how much cruelty they are bringing not only upon animals but upon themselves and their loved ones and other people, how much we are screwing up the planet, how much we are hurting our own health, how hard it is to change all that, how eager people are to make a buck at everybody else's expense - all those things are discouraging.
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