A Quote by Anna Friel
Onstage, there's no hiding; you either can or can't act. There's no second take.
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I act the way I talk. It probably comes from starting out in Second City, improvisational theater. I can go from take to take. I'll ask for another take.
It's not hard to have a second act. It's just that the second act's not going to be as exciting.
Why you in a dark hole, Astrid? Did you fall? (Simi) We’re hiding Simi. (Astrid) Hiding? From what? (Simi) Thanatos. (Astrid) Pfft. Why you hiding from that loser? He wouldn’t even make good barbecue. Barely take the edge off my peckishness. Hmmm…How come there’s no food here? (Simi)
Musicians want to be heard. So I'm not hiding. But I do like to leave it there onstage and be myself, in that sense. Because some people carry it with them.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
I don`t know why, but I love the dog eat dog nature of tennis. It`s real, it`s brutal and there`s no hiding place - it's like a one to one street fight. I love the intensity that comes with knowing you walk off court either a winner or a loser. It`s daunting but very exciting. There is no one to blame except yourself, no one cares who comes second.
Personally there is first: imagination; second: the act of writing - and third: the act/act of vocalizing.
I always just felt more comfortable just kind of hiding behind a character than being myself onstage.
I wore Chuck Taylors for a couple shows, and the second show I wore the Chuck Taylors, that was the one and only time I fell onstage. I haven't really bit it onstage in high heels yet. It will happen. It's not about if, it's about when.
When you're in prison, there's no hiding. These women are not hiding behind towels and shower curtains. They go to the bathroom with no doors on the stalls. It would actually look weird, if these women were hiding.
The first act is the easiest to plot. The second act is always the hardest to plot. Generally a good, you know, sometimes the third act can be difficult because you can get into a rut in the third act - everybody runs to their Corvette, has a chase, and you catch the bad guy.
In life and business, there are two cardinal sins, the first is to act precipitously without thought, and the second is to not act at all. Unfortunately the board of directors and top management of Times Warner already committed the first sin by merging with AOL, and we believe they are currently in the process of committing the second; now is not a time to move slowly and suffer the paralysis of inaction.
It only takes a second to call a girl fat and She'll take a lifetime trying to starve herself.. think before you act.
I knew from the second I stepped onstage. I was like, yep, this is what I want to do.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
The first part of a good work is the will, the second is vigorous effort in the doing of it. God is the author of both. It is, therefore, robbery from God to arrogate anything to ourselves, either in the will or the act.
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