A Quote by Anna Friel
In Hollywood I got work but not the right work until Pushing Daisies. Every girl in LA wanted the part of Chuck. I was terrified - I didn't know if I could be funny.
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[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
When I was very young, I wanted to be a girl. I was jealous that girls got to be princesses and wear skirts. It tormented me. When I was 6, I even heard that you could change your sex, and I was very intrigued until the moment I realized that if I changed into a girl, I would be an ugly girl, and this is the last thing I wanted to be.
I don't need a Hollywood girl. They're crazy. If you're with an actress, you don't know who you're going to come home to every day. But I wouldn't mind a relationship with the right girl. Every artist needs a muse.
I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.
I approached work very seriously. I never went out. I couldn't fathom people who could go out to clubs... But I definitely went through a time where I was just terrified and exhausted and I didn't really understand. Hollywood... It just got to be too much for me.
Man I told Dana when I first came to the UFC, I don't wanna fight none of these bums...I want the best. I wanted this man right here [points to poster of Brock Lesnar], but he was sick. I didn't know that. So I said, 'what about Chuck, Chuck, whatever his name is, Chuck Liddell?' He was sitting there all scared and nervous.
Meeting people is difficult, period. LA is a difficult place to meet people anyway, and Hollywood is such a small community. But I don't make it a rule just to date other actors and people in the entertainment industry. It could work out with me and a dentist. It could work out with me and a lawyer.
I am extremely thrilled that my superhit single 'La la la,' composed by the talented Bilal Saeed, will be a part of the film 'Baazaar.' The song is a hit with the youth, and it always feels nice that the work you do is appreciated globally.
To be quite honest, I've been very blessed when I've worked with Hollywood. The studios that have purchased my work to be adapted to film have really liked the work and wanted to stay as close as they could to what the book was.
I like LA. LA is cool, but it ain't like home. Atlanta is home. All my friends are here, I grew up here. But LA is cool. Its more like a big office. Its work and you work, and you're meetin' people all the time, but its more like acquaintances than friends and stuff.I wanted to cut down on the profanity, because I think I'm funnier without sayin' a lot of cuss words.
I had been getting queries from regional filmmakers to do a movie based on my work. But I did not want my work and mission - to create awareness on menstrual hygiene - to be restricted to only a part of the country. In fact, I wanted to do the movie in Hollywood.
Girls on the Run is an organization that believes every girl can embrace who she is. It's all about girl empowerment. I've volunteered for different things before, but I didn't get to work hands-on. I thought this program sounded wonderful because I could go in and work with girls face-to-face.
I went to work in accounting at Arthur Andersen. At one point, it was the creme de la creme. I wanted to work there because it looked like the hardest thing I could find, and I loved being on a steep learning curve. I progressed quickly, and two years out of college, I was managing a small team of people.
As a five-year-old in Berlin in 1965, I didn't know that funny women existed. It wasn't until I got back to England that I realised women could be funny.
I know that I wouldn't mind going back to work if I could find the right script and the right crew to work with.
I couldn't get a job acting all the time and there were down periods where I could take photographs or paint. I got into a lot of trouble when I was young, from making two films with James Dean, watching him work and then him dying and thinking I could turn down work. There was a big difference, he was a star and I wasn't. So I got in a lot of trouble and was essentially banned from Hollywood.
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