A Quote by Anna Friel

When you're given something new, it's always exciting 'cause you're the first one to do it. You're not having to live up to any expectations, or be compared to anyone who's ever done it before.
I'm still learning. It's all a learning curve. Every time you sit down, with any given episode of any given show, it is a learning curve. You're learning something new about how to tell a story. But then, I've felt that way about everything I've ever done - television, features or whatever. Directing or writing, it always feels like the first day of school to me.
I love you, I know this must come as something of a surprise, since all I’ve ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm.
One of the first pieces of advice I was ever given, on my first job was, you should always buy something to treat yourself to say well done for getting the job! However I've not followed on that through yet... I've always wanted a tattoo, something to mark my experience.
I don't have anything saying, 'I'm going to do this many new films, and this many comedies.' But, it's always exciting for me, whenever it is a new character and something I haven't done before, and that's part of what draws me to it.
One of the first pieces of advice I was ever given, on my first job was, 'You should always buy something to treat yourself to say, 'Well done for getting the job!'
The first time I went to New York, it was really exciting, and I thought, given half the chance, it would be nice to live there - the same with London.
One of the things, and the most exciting, actually definitely the most exciting thing is, having children. You know, I didn't have children before. I had been married only a year before my space station mission, so having three-year-olds is a whole new experience and that's the new adventure. It may sound funny because people have kids every day, but having your own kids, having my own kids, was as fundamentally, or maybe even more fundamentally life changing then even flying in space.
My goal onstage is to always have people leave feeling that they received something very special, an inspired feeling that they can take with them and into their lives. That's what the artists I love have always done for me and that's what I have always admired and tried to emulate in my own performances. I still believe that music stands alone in its power to communicate "spirit", whatever that might mean to any given fan. It's a mystery and it's something I still find so exciting and challenging at the same time.
You sort of feel when you are given an award, you feel like, well then you have got to do something to deserve having been given the award. It worked differently with me cause I didn't feel that I had done enough.
The first time I actually heard any of the Beatles' music it was in a car. I think it was the, the B side of their first record. I think it was "I Want to ... I Want to Hold Your Hand". And it, it really sounded different to me. And it sounded a bit like trouble, like this is something new 'cause I very rarely paid any attention to what anyone else was doing.
On any given day, in any given moment, something could happen that opens up for you an entirely new path. Be still, be alert, be ready.
You can experience the thrill of discovery, the incredible, visceral feeling of doing something no one has ever done before, see things no one has ever seen before, know something no one has ever known before. ... Welcome to science, you're gonna like it here.
If it feels like you're aiming for something too familiar, and you're not having a primary new experience, then what's the point of making that movie? It's been done before, so try to find something new out of it.
It's so hard to do anything that doesn't owe some kind of debt to what Stanley Kubrick did with music in movies. Inevitably, you're going to end up doing something that he's probably already done before. It always seem like we're falling behind whatever he came up with. "Singin' in the Rain" (1952) in "A Clockwork Orange" (1971) - that was the first time I became so aware of music in movies. So no matter how hard you try to do something new, you're always following behind.
I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to it and first-person camera view that is a new thing for me. I've done some stuff like that before, but nothing like the extent of this and digitally.
Debt - like sin - implies that one party in the transaction didn't live up to expectations, at least in the moment, and has done something wrong.
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