A Quote by Anna Funder

I had very good eyes once. Though it's another thing to say what I saw. In my experience, it is entirely possible to watch something happen and not to see it at all.
That was the thing: Once, the difference between light and dark had been basic. One was good, one bad. Suddenly, though, things weren’t so clear. The dark was still a mystery, something hidden, something to be scared of, but I’d come to fear the light, too. It was where everything was revealed, or seemed to be. Eyes closed, I saw only the blackness, reminding me of this one thing, the most deep of my secrets; eyes open, there was only the world that didn’t know it, bright, inescapable, and somehow, still there.
I don't want the national award... I seriously do not need any such thing. I would only want the audience to go and watch the film once and that will be more than enough for me. Once everybody should see the movie and say it is a good watch.
You saw me before I saw you. In the airport, that day in August, you had that look in your eyes, as though you wanted something from me, as though you’d wanted it for a long time. No one had ever looked at me like that before, with that kind of intensity. It unsettled me, surprised me, I guess. Those blue, blue eyes, icy blue, looking back at me as if I could warm them up. They’re pretty powerful, you know, those eyes, pretty beautiful, too.
With 'Invisible,' I didn't want to create something that requires you to watch it more than once; I don't even expect people to watch it more than once per se. I just wanted you to have the experience and knowing that if you watch it a second time, it would be different because you would see different things.
As I've said many times, it's one thing to dream about something; it's another thing to experience it. It's one thing to think you're good enough; it's another thing to know you're good enough.
And along with indifference to space, there was an even more complete indifference to time. "There seems to be plenty of it", was all I would answer when the investigator asked me to say what I felt about time. Plenty of it, but exactly how much was entirely irrelevant. I could, of course, have looked at my watch but my watch I knew was in another universe. My actual experience had been, was still, of an indefinite duration. Or alternatively, of a perpetual present made up of one continually changing apocalypse.
Disgust relies on moral obtuseness. It is possible to view another human being as a slimy slug or a piece of revolting trash only if one has never made a serious good-faith attempt to see the world through that person’s eyes or to experience that person’s feelings. Disgust imputes to the other a subhuman nature. How, by contrast, do we ever become able to see one another as human? Only through the exercise of imagination.
I wrote to find beauty and purpose, to know that love is possible and lasting and real, to see day lilies and swimming pools, loyalty and devotion, even though my eyes were closed, and all that surrounded me was a darkened room. I wrote because that was who I was at the core, and if I was too damaged to walk around the block, I was lucky all the same. Once I got to my desk, once I started writing, I still believed anything was possible.
I watch a movie or a T.V. show or whatever; if it's good, I like to watch it more than once, and it's always fun to catch something you didn't see initially.
Watch their hands, watch their eyes. Read eyes. No matter what a man is saying to you, it's not as important as what you can read in his eyes. The most important thing a man has to tell you is what he's not telling you; the most important thing he has to say is what he's trying not to say.
Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.
I never want to say that I had glory days. I like to think that every new year there's something great that can happen, something great will happen, whether it's a basketball thing or an off-the-court thing.
Eyes are the greatest tool in film. Mr. Capra taught me that. Sure it's nice to say very good dialogue, if you can get it. But great movie acting - watch the eyes!
Since I had the baby I can't tolerate anything violent or sad, I saw the Matrix and I had my eyes closed through a lot of it, though I didn't need to. I would peek, and then think, oh OK, I can see that.
Since I had the baby I can't tolerate anything violent or sad, I saw the Matrix and I had my eyes closed through a lot of it, though I didn't need to. I would peek, and then think, oh OK, I can see that
We are already so many things by the time we reach the middle of life that it is possible to see that really anything can happen, and that, by extension, anything is doable. I decided I'd write 'The Calling' as someone else. Another writer entirely, a fictional one who would be played by me.
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