A Quote by Anna Funder

I like trains. I like their rhythm, and I like the freedom of being suspended between two places, all anxieties of purpose taken care of: for this moment I know where I am going.
I can write most places. I particularly like writing on trains. Being between places is quite liberating, and looking out of the window, watching a procession of landscapes and random-ish objects, is very good for stories.
For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.
The surface below your feet is so special. It is not like a boxing ring, not like a wrestling mat, it's its own thing, and when I am there, I am floating, I am moving with total freedom, I am free. And when you know, when you just know you are going to win, like I do, there is no better feeling.
I have used Twitter for so many things, from places to stay, places to go, things to do, things I need, medical advice, you name it. Especially when I'm on tour, it really feels like I'm being taken care of by half a million people. It is like having a mom.
Like my freedom. If I feel like I'm being controlled, I get crazy. Because I know I made it this far by following my intuition. I think people like who I am, and I like who I am, and I want to be a better version of myself every single day. So stop controlling me!
I don't like traveling, period. I like being at places and I like going places, but I don't like forms of transportation.
I just like being on my own on trains, traveling. I spent all my pocket money travelling the London Underground and Southern Railway, what used to be the Western region, and in Europe as much as I could afford it. My parents used to think I was going places, but I wasn't, I was just travelling the trains.
When you realize that your freedom is being taken away from you, you're like, 'You know what, I'm not going to get good food in prison, so I'm going to order McDonald's, Wendy's, Chick-fil-A.' We're turning up and living our best life, and I did that.
For the most part, I keep it true to who I am with Southern, trendy, and comfortable looks. I like to bring that element when I go to places like Los Angeles and New York City because I know a lot of people have a set look there, and I like to be different, and I am still going to wear my Daisy Dukes and my denim overalls.
I feel like people being themselves and not being scared of judgment, they're putting that into their music, and it's like, 'Wow, they came up with something fire because they didn't care how you were going to feel about it. They didn't care if you were going to like it or not.'
I've been a prima-dona. I was taken care of since I was 13. That's why I am the way I am today. I was spoiled, like a brat. I had anything I wanted. That's crazy to be that way all your life. Everybody's taking care of you, but manipulating you at the same time. Very few people have a life like that. Most people have to work like slaves their whole lives. I've never had a job in my life. What I know how to do is hurt big, tough men - in the street and off.
There's the internal rhythm within a sequence, and then there's the rhythm between the sequences, and that's extremely important in constructing the narrative. For example, you don't put two big dramatic scenes right next to each other. But you can use the rhythm of the transition shots; they can often serve a double purpose.
My life is spent in perpetual alternation between two rhythms, the rhythm of attracting people for fear I may be lonely and the rhythm of trying to get rid of them because I know that I am bored.
I like marketplaces. I like train stations; I like being in trains. I like airports. I like walking down the street with a pen in my hand, writing, writing, writing.
You are some kind of a mystery suspended between two eternities. And in that moment, when a mind looks out at a world and asks the question, ‘What is it?’ In that moment art can be created.
States are more like people than they are like anything else: they exist by purpose, reason, suffering, and joy. And peace between states is also like peace between people. It involves the willing renunciation of purpose, in the mutual desire not to do, but to be.
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