A Quote by Anna Howard Shaw
And looking into the face of ... one dead man we see two dead, the man and the life of the woman who gave him birth; the life she wrought into his life! And looking into his dead face someone asks a woman, what does a woman know about war? What, what, friends in the face of a crime like that, what does man know about war?
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Adam Brown’s zest for life led him down a few dark alleys and more than one dead end. Kind-hearted and wild, Adam led a life that lacked direction. God, a woman, and the U.S. Navy gave it to him. FEARLESS is a love story...several love stories: a man for his woman, a warrior for his team, parents for kids, and soldiers for their country. There is no greater love than that a man lay down his life for his friends. Be warned—reading FEARLESS will change the way you see the world.
Arya lifted her gaze from the dead man and his dead dog. Jaqen H'ghar was leaning up against the side of the Wailing Tower. When he saw her looking, he lifted a hand to his face and laid two fingers casually against his cheek.
Working with men like Al Pacino, Tommy Lee Jones, Michael Douglas, Edward Norton, David Morse, and Kevin Costner, you have to step up and look them dead in the eye and, you know, scare them. I can see it when it happens, and they don't know it's coming. It's the best look on any man's face when he gets paired with a woman and he doesn't expect her to kick his ass. I'm not saying I've kicked any of their asses, but I feel like I have held my own and said, "I am a force to be reckoned with." It's about not being intimidated. I feel it makes me a stronger woman.
Richard exhaled. It was like somebody sprinkling pepper on his wound: Thousands of Biafrans were dead, and this man wanted to know if there was anything new about one dead white man. Richard would write about this, the rule of Western journalism: One hundred dead black people equal to one dead white person.
I dinna think tis romantic when a man says he's willin' t' give his life fer the woman he loves. Give me instead a man who'd fight to keep us both alive and kickin'! There's naught rommantic about a dead man, beau or no.
You know what the problem is? You can't put a woman into a man's role. A women's journey in life, I'm not speaking disrespectfully of women and their roles in life, but a woman's journey in life is very different from a man's. That doesn't mean a woman can't do a man's job, but it doesn't mean that a woman should do a man's job the way a man handles it. The things that men question themselves about in life are quite different from the things women question themselves about.
Here's why I think there's something a little odd with George Bush. Because a lot of the times when he speaks, his words don't match his face. Something is askew. You can't talk about the war with a smile on your face. He does it constantly. If you're the President, you should go We're going to talk about the war, I must have a frowny face. The only time you can smile when you're talking about the war in Iraq is when you go, Well, two Iraqis walk into a bar, hahaha.
Look at the moon. How strange the moon seems! She is like a woman rising from a tomb. She is like a dead woman. One might fancy she was looking for dead things.
I have lived through war, and lost much. I know what's worth the fight, and what is not. Honor and courage are matters of the bone, and what a man will kill for, he will sometimes die for, too. And that, O kinsman, is why a woman has broad hips; that bony basin will harbor a man and his child alike. A man's life springs from his woman's bones, and in her blood is his honor christened. For the sake of love alone, I would walk through fire again.
Man is the one who desires, woman the one who is desired. This is woman's entire but decisive advantage. Through man's passions, nature has given man into woman's hands, and the woman who does not know how to make him her subject, her slave, her toy, and how to betray him with a smile in the end is not wise.
We think that we know a man or a woman, when so much of what we know is actually that man's or that woman's situation, his or her place on the board of life. Move the pawn to the last row and see her rise in armor, sword in hand.
From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all.
A man is commanding - a woman is demanding. A man is forceful - a woman is pushy. A man is uncompromising - a woman is a ball-breaker. A man is a perfectionist - a woman's a pain in the ass. He's assertive - she's aggressive. He strategizes - she manipulates. He shows leadership - she's controlling. He's committed - she's obsessed. He's persevering - she's relentless. He sticks to his guns - she's stubborn. If a man wants to get it right, he's looked up to and respected. If a woman wants to get it right, she's difficult and impossible.
To face a man in combat is challenge enough. To find the goddess in a woman is the life work of a man. Hard though the first may be, the second is the harder longer road. But every man seeks the woman of the dream, and only the best of men finds what he seeks.
Nora leaves her husband, not-as the stupid critic would have it-because she is tired of her responsibilities or feels the need of woman's rights, but because she has come to know that for eight years she had lived with a stranger and borne him children. Can there be anything more humiliating, more degrading than a life-long proximity between two strangers? No need for the woman to know anything of the man, save his income. As to the knowledge of the woman-what is there to know except that she has a pleasing appearance?
On those occasions when he had killed in the dark, he later needed to see his victims' faces because, in some unlit corner of his heart, he half expected to find his own face looking up at him, ice-white and dead-eyed. "Deep down," the dream-victim had said, "You know that you're already dead yourself, burnt out inside. You realize that you have far more in common with your victims after you've killed them than before.
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