A Quote by Anna Karina
In older Hollywood movies, a character will make an entrance, close a door, light a cigarette, sit down, have a drink. In Jean-Luc's movies, you were doing everything at once, and sometimes you wouldn't shut the door all the way.
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By the mercy of Allah Paradise has eight doors one of those is the door of repentance, child. All the others are sometimes open, sometimes shut, but the door of repentance is never closed. Come seize the opportunity: the door is open; carry your baggage there at once.
I don't want to close the door that if any of us were president of the United States that we would sit idly by and watch something like the Holocaust go down. I don't want to close the door on the United States involving themselves and putting a stop to that. Can we spend money on that? Yeah, I think so.
If I have to produce movies, direct movies, whatever to change the way Hollywood treats older women, I'll do it. If I have to bend the rules, I will. If I have to break them, I will.
Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.
I was in many of Jean-Luc's movies, but I wasn't in 'Le Mepris.'
Sometimes fate or life or whatever you want to call it, leaves a door a little open and you walk through it. But sometimes it locks the door and you have to find the key, or pick the lock, or knock the damn thing down. And sometimes, it doesn’t even show you the door, and you have to build it yourself.
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
Now while the German money is over for Hollywood, I still have $80 million to make movies, and we will have two things coming up: less major movies and the price for actors will go down.
It was a shut door, and shut doors meant things kept to yourself. There were reasons you kept things to yourself, and they usually weren’t good, happy, open-air sort of reasons. Still, I didn’t want to see behind that door. You think you want to know everything there is to know about everything there is to know. But you don’t. Not really. I had pried the lid off of the dark places of another person before, I had seen inside. Down deep. You don’t want to look at what’s rotting there.
The privilege I've had over 15 movies over a very long time has been to make movies that were ambitious or grown-up, complex, that had themes in them that were sometimes political, sometimes challenging, to make these movies on a scale.
I think it can be a good idea to know what you do well and use that to open the door for yourself. Once you open the door, close it behind you, and start to make changes.
I want to make movies on a soundstage. They close the door and it's nighttime, daytime. If it has to rain, they make the rain. That's what I like.
Hollywood's not knocking on our door. They're banging down the door with a sledgehammer.
Sometimes I'm a psychiatrist and I tell people in my office that my door is open, and if they have a problem to come and talk to me. Sometimes I say, "I have to close the door because I don't want to hear it!"
Insomnia’s different,” I said. It was hard to explain this to people. “You know the light that comes on when you open the refrigerator door? Just imagine it stays on all the time, even after you close the door. That’s what it’s like in my head. The light stays on.
I have this old '57 Porsche Speedster, and the way the door closes, I'll just sit there and listen to the sound of the latch going, 'cluh-CLICK-click.' That door! I live for that door. Whatever the opposite of planned obsolescence is, that's what I'm into.
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