A Quote by Anna Karina

I left school when I was 14 to go into Danish films. When I was 17, I went to Paris to make my fortune. — © Anna Karina
I left school when I was 14 to go into Danish films. When I was 17, I went to Paris to make my fortune.
When I was 13, I won a scholarship to boarding school. My parents let me choose whether to go, and I decided I wanted to. Afterwards, I went to Cambridge to study law - in a way, I was carrying the academic hopes of my family, as Mum and Dad left school at 14.
Too many architects are just trying to make all of their buildings look like a brand, and that may be good for business, but that is terrible for the cities because they lose character. If I go to Paris, I go to see the beauty of Paris and the coherence of Paris.
Everyone's parents were famous actors at my school, pretty much! I think I went to school with Paris Hilton when I was three. That's what L.A. is, though - it's an industry town. You go to school with kids and you think, 'Well that's normal, they make movies.
Everyone's parents were famous actors at my school, pretty much! I think I went to school with Paris Hilton when I was three. That's what L.A. is, though - it's an industry town. You go to school with kids and you think, 'Well that's normal, they make movies.'
Luther exerted a strong influence on Denmark. Suddenly Danish theologians were preaching in Danish and translating the Bible into Danish.
My father left school at 14 and became a fitter. He didn't want to be at school.
When I left high school - I was younger than my classmates, just 17 - I knew I wanted to be an actress, but I thought, 'When I go to college, I'd rather study something else.'
The people follow what the media say. So if you said that Bruno Dumont is fantastic, it follows that more people would go to see my films. I have no wish to remain on the sidelines. I have no wish to make films that are only seen by bohemians in London and Paris.
I pretty much left full-time, formal education when I was 11, so that was when I was taken out of the school system... The longest stretch I would go back for was a term and a half when I was about 14.
I had jobs from the age of 14, when I arrived in London as a refugee. Aged 17, I'd get up at 4 A.M. to work as a cleaner before school. It wasn't pleasant.
I pretty much left full-time, formal education when I was 11. So that was when I was taken out of the school system... I think the longest stretch I would go back for was a term and a half when I was about 14.
I left school when I was 14 to work in kitchens.
Three directors whose work directly influences mine are Paul Thomas Anderson, Darren Aronofsky and Susanne Bier (her Danish films). You'll notice that they all don't make feel good movies, same as me, and their films are always visually simple but beautiful (and I hope mine are!).
American Danish can be doughy, heavy, sticky, tasting of prunes and is usually wrapped in cellophane. Danish Danish is light, crisp, buttery and often tastes of marzipan or raisins; it is seldom wrapped in anything but loving care.
I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture; he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.
I played American Legion ball starting when I was 14. But I didn't catch until I was 17. I was 75-3 as a high school pitcher, but it was like everybody knew that I was supposed to be a catcher. When the scouts would come around, and I was pitching, they'd make me take infield practice so the scouts could watch me throw.
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