A Quote by Anna Karina

We did not see ourselves as remaking cinema at the time, at least not in my view. Myself and the other actors were not part of the industry; we weren't inside the star system. We were running around, shooting in the streets, hiding behind trees to do our makeup. It was a very simple way of working.
For me, there was no great myth around the movies when I was a young child. My father was very simple about the whole thing. He did not consider cinema an art. Cinema was entertainment. Literature and music were art.
The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums. We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real. We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
I'm running out of time, and a Western is America's answer to a Greek tragedy, so that's what we did. [Kiefer] hired Brad [Mirman] to write the script and he had the ideas, and then he and I did stuff on the script to make it a little cleaner to ourselves. And then, we played it. We were just actors working together, and our DNA must have informed it somehow. Certainly, we came out of it purified a little bit.
That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation. Way before we were scratching pictures on caves or beating rhythms on hollow trees, we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain. And when our ancestors finally did make their first cave paintings, what were the first designs? A downward slash, lightning bolts through the bottom and middle-behold, the Running Man.
I'm a great candidate for why arts funding shouldn't be cut, because I had no experience other than what was at school, I'm from a working-class town, there were no theaters, and the cinema closed when I was a kid. Anything that gave me a voice or a way to express myself I went running headlong toward.
All the Warner actors were real actors. They started in theater and led very straightforward lives - you never saw entourages around. The MGM girls were the glamour girls, and they always had the makeup and hair people with them and all that.
Voice actors I used to know who were starting out in comedy were guys who did a lot of voices. They were usually comedy actors who developed their comedy by doing tons of impressions and voices that were usually very funny. And I never did any of that, so that's, I guess, why I don't consider myself a voice actor.
Sometimes it takes time to become part of the collective unconscious, just like 'Fanboys' did. Going into that movie, I said to myself that if you were a 'Star Wars' fan, you were going to love that movie. It's an homage to everything science-fiction, but especially 'Star Wars.'
When I first saw China, there were no automobiles. There were no supermarkets. There were no high-rise buildings. There were no consumer goods. There were no restaurants that were at least accessible that foreigners could see. It was a Stalinist society, and a very poor Stalinist society. So the economic system has totally changed, and the private sector in the economic system is now the dominant sector. It didn't exist at all as late as 1979.
I never walked the streets of New York hoping to be a musical comedy star. For one thing, they would have thought I was too tall, because l was five feet eight and a half, and they were all little bitty things running around in the studio at that time.
It is the first time since 1993 that Russians have come out into the streets without an explicit permission from the government to do so. The main difference between the protests of 2011-2012 and these protests today is that they didn't have permits. These were - the people who were coming out into the streets were very young people, for the most part, who knew that they were all risking arrest. It's an extraordinary event.
Books gave us a way to shape ourselves - to form our thoughts and to signal to each other who we were and who we wanted to be. They were part of our self-fashioning, no less than our clothes.
In the weeks that followed, we amazed ourselves. Our habits slid apart easily...And our very few intimacies were simply discontinued. Where did they go, those things we did? Were they recycled? Did some new couple in China do them? Were a Swedish man and woman foot to foot at this very moment?
If you were in the film industry at that time, you were always picked up by directors who were much older. You were whisked about and shown things. I did work very hard though.
In the end, given the way we view the world and the way that we view ourselves as an entertainment company, our biggest challenge is creating content and creating services. Excite people. We were fortunate we were able to do that with the Wii.
Everything happened relatively quickly in our rise to the top. But we were like robots. We were told what to do and we just did it. We didn't have time to look inside ourselves. It was all just a constant whirlwind.
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