A Quote by Anna Karina

I was in many of Jean-Luc's movies, but I wasn't in 'Le Mepris.' — © Anna Karina
I was in many of Jean-Luc's movies, but I wasn't in 'Le Mepris.'
In older Hollywood movies, a character will make an entrance, close a door, light a cigarette, sit down, have a drink. In Jean-Luc's movies, you were doing everything at once, and sometimes you wouldn't shut the door all the way.
In that first national election after 9/11 in France, Jean-Marine Le Pen did not win the presidency, but he did get to the final round. He was in the general election. Now, this week, in the first national elections in France after what many people have been calling the French 9/11, the attacks in Paris three weeks ago, this time it`s Jean-Marie Le Pen`s daughter, Marine Le Pen and the National Front, which is still a far right pseudo- fascistic party, they came in first place in France.
Jean-Luc Godard saw me in a commercial. He first asked me to play a little part in 'Breathless' of a girl who is taking her clothes off. I said, 'No, I don't want to take my clothes off.' But he called me again for 'Le Petit Soldat.' He said it was a political film, so I didn't have to take my clothes off at all.
The Soviet Union tried to sell a set of ideas, very left wing, and focus on so-called peace. Vladimir Putin doesn't care who helps him to push his agenda. He is equally comfortable with the politics of Nigel Farage and Corbyn in Britain, Le Pen and Jean-Luc Mélenchon in France. Whether far left or nationalist, he doesn't care, as long as they support chaos and destruction and the undermining of existing institutions.
I'm a huge Luc Besson fan. The Fifth Element, I just loved that movie. Luc cast me to play a small part in it, and so I did, because I love all his movies actually - The Big Blue, La Femme Nikita, Léon: The Professional. His movies are so wonderful. It's just fun to be in it and for it to be a sci-fi movie.
I really liked the Jean-Luc Godard movie, 'Film Socialisme.'
At the end of '69 I did a gig with Jean Luc Ponty here in L.A. He was an electric violinist.
It's always important to talk about what Jean-Luc did - for him, for me, for everyone.
I have been a long time fan of Jean-Luc Godard. It's my dream to work with him.
Suddenly I had a call one day saying they'd like me to come to the office to see Jean-Luc Godard. 'He is preparing a film called 'Breathless.' Jean would like to see you.' I said yes. I thought he was pretty strange, because at that time nobody was wearing those kind of glasses where you couldn't see the eyes.
I was lucky enough to meet and marry Jean-Luc who is responsible for any education and culture I have today.
I've always thought - and I don't even know if I'd be right for the part - that Jean Seberg would make a great biopic. She was in Jean-Luc Godard's 'Breathless,' she played Joan of Arc. She had this eventful and traumatic adulthood, she thought the FBI was after her, and she became a darling of the French New Wave.
Many other directors, they have lots of scripts and they never rehearse as much, and you never really have time to be a part of it. With Jean-Luc, you always had time to be a part of it. It's difficult to explain to normal people.
Those policies [of Jean-Marie Le Pen ]I find repellent. I believe many people right across consist the world do. There is no future in that type of narrow minded racism and nationalism.
Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film.
Her voice was like a line from an old black-and-white Jean-Luc Godard movie, filtering in just beyond the frame of my consciousness.
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