A Quote by Anna Karina

It's always important to talk about what Jean-Luc did - for him, for me, for everyone. — © Anna Karina
It's always important to talk about what Jean-Luc did - for him, for me, for everyone.
In our comic cons and interviews, they're always asking him questions, of course, because people love Jean-Luc Picard. They love Sir Patrick Stewart. But he always likes to stop everyone and go, Wait, but these new characters, I can't wait for you to meet these new people.' He very much always tries to make space for us.
Even if I make fun of him, I try to portray him as a human being. Sometimes because he's the great Jean-Luc Godard, we see him as a concept.
At the end of '69 I did a gig with Jean Luc Ponty here in L.A. He was an electric violinist.
I have been a long time fan of Jean-Luc Godard. It's my dream to work with him.
Quite simply, I owe everything to Jean-Luc. He taught me everything I know about films, about books, about art, about life.
It was a strange love story from the beginning. I could see Jean-Luc was looking at me all the time, and I was looking at him too, all day long. We were like animals.
Jean-Luc asked me to play a small part in 'Breathless,' the role of Belmondo's former girlfriend. It was just one scene. I asked him what I had to do and he said, 'You have to take your clothes off,' and I said no.
Everyone thinks that Jean-Luc is an intellectual. But he's very a sportive person too. He likes action. He likes people to be physical in their roles. They had to move a lot.
I've always thought - and I don't even know if I'd be right for the part - that Jean Seberg would make a great biopic. She was in Jean-Luc Godard's 'Breathless,' she played Joan of Arc. She had this eventful and traumatic adulthood, she thought the FBI was after her, and she became a darling of the French New Wave.
Suddenly I had a call one day saying they'd like me to come to the office to see Jean-Luc Godard. 'He is preparing a film called 'Breathless.' Jean would like to see you.' I said yes. I thought he was pretty strange, because at that time nobody was wearing those kind of glasses where you couldn't see the eyes.
Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film.
Jean-Luc is a person who has a lot of feelings, and he knows that to listen and look at a person is very important. You have to listen when you act.
I was in many of Jean-Luc's movies, but I wasn't in 'Le Mepris.'
The great thing about Santa Monica civic auditorium was it was a place you could ride your bike to. In this case, my dad dropped me and my friends off, and we'd go see Ronnie James Dio or Jean-Luc Ponty or Weather Report or the Pretenders.
I really liked the Jean-Luc Godard movie, 'Film Socialisme.'
At Al Jazeera, the first story I did was to sit down with a former Haitian dictator, Jean-Claude Duvalier, and grill him about crimes against humanity. Al Jazeera is giving me the opportunity to tell important stories and stories that I want to tell.
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