A Quote by Anna Karina
The only thing I can recall being allowed to improvise was the little singsong 'I don't know what to do' chant in 'Pierrot Le Fou.' Which I came up with because I literally did not know what to do!
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'Pierrot le Fou' is something I keep coming back to. It's so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well.
Pierrot le Fou is something I keep coming back to. Its so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well.
To have a thing is little, if you're not allowed to show it, to know a thing, is nothing unless others know you know it.
I was so intimidated by the thought of improvising back in the '80s when I was in Chicago. I think the opportunity only even came up once that I can recall, and I turned down the offer. It was to go improvise in some club in the suburbs or something. Good God, I couldn't think of anything more frightening than to get up there without a plan.
The only thing I knew in the world as a little kid was comedy. And no other kids in my school cared about it at all. There was no one to talk about it with. You know, we're in a geek culture now where comedy is so giant. I'm one of the people that, you know, works on Funny or Die. And there is just a giant culture of comedy nerds. But back then, I was alone, and I had a little confidence about it because I felt like, this is my thing, this is the only thing that only I know about.
Only ignorance! only ignorance! how can you talk about only ignorance? Don't you know that it is the worst thing in the world, next to wickedness? -- and which does the most mischief heaven only knows. If people can say, `Oh! I did not know, I did not mean any harm,' they think it is all right.
There's very little you could do to prepare to be a correspondent on The Daily Show, because it's not being a journalist, it's not being an actor. It involves elements of both of those things, but they're not required necessarily as job experience. It's helpful if you know how to improvise, but again, not a requirement.
There's very little you could do to prepare to be a correspondent on 'The Daily Show,' because it's not being a journalist, it's not being an actor. It involves elements of both of those things, but they're not required necessarily as job experience. It's helpful if you know how to improvise, but again, not a requirement.
'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.
I came to Him because I did not know which way to turn. I remained with Him because there is no other way I wish to turn. I came to Him longing for something I did not have. I remain with Him because I have something I will not trade. I came to Him as a stranger. I remain with Him in the most intimate of friendships. I came to Him unsure about the future. I remain with Him certain about my destiny. I came amid the thunderous cries of a culture that has 330 million deities. I remain with Him knowing that truth cannot be all-inclusive.
We all grew up in communities with grandmothers who cooked two, three vegetables that you had to eat. There was no ifs, ands or buts about it. But that's because many of our grandparents, they had community gardens; there was the vegetable man that came around. There were many other resources that allowed them to have access. So it's not that people don't know or don't want to do the right thing; they just have to have access to the foods that they know will make their families healthier.
I admired Hitler, for instance, because he came from being a little man with almost no formal education, up to power. I admire him for being such a good public speaker and for what he did with it.
You know, growing up my - you know, I came from Compton, Calif., and, you know, it was a place where a lot of people did come out when a lot of people stayed. So I've been able to see the top and the bottom of life, and I think that balances you if you allow it to and if you remember where you came from.
I miss working. It's real, you know? But I don't know anything but songwriting, and I don't even know that. I didn't go to school; the only thing I know how to do is this. The only thing that I know is that I know nothing.
I did a thing called 24 Hour Plays, a thing they do every year on Broadway. A bunch of playwrights and actors get together, you write a play and you act it out in 24 hours, literally. People pay and the money goes to charity. So I did one - I was horrible. I was bad. I was terrified. And I was like, "Oh, I gotta do this again." Because I know I can do it.
A major component of jazz is improvisation, which forces you to stay in the moment because you never know what will be coming up. There's a lot of freedom and space available as you improvise around the chord changes.
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