A Quote by Anna Karina

'Le Petit Soldat' was banned in Paris; it wasn't out in the movie houses. It was forbidden because it was talking about the Algerian war. — © Anna Karina
'Le Petit Soldat' was banned in Paris; it wasn't out in the movie houses. It was forbidden because it was talking about the Algerian war.
Jean-Luc Godard saw me in a commercial. He first asked me to play a little part in 'Breathless' of a girl who is taking her clothes off. I said, 'No, I don't want to take my clothes off.' But he called me again for 'Le Petit Soldat.' He said it was a political film, so I didn't have to take my clothes off at all.
Couture has a lot of issues today. Here in Paris there are oddly so few houses showing. And I'm not talking about the style. I'm talking about the sense of couture and these young actresses that you were talking about - they want long dresses that are not always the most innovative or the most interesting. So it's a bit lost.
I'd been influenced by reading books on art and colonies that existed in Paris and places like that and so when I came to Europe I came to France and I had very little money, and I had to live low and stayed in a bohemian section of Paris with a lot of other students, who were from medical school, science school and art school. We all lived in a kind of communal way and I was challenged politically, because I didn't have a clue and they would ask me questions about the Algerian War, which was very big in France in the late '50s.
I have an affinity with Algeria, because I grew up with plenty of Algerian friends in the suburbs of Paris.
My life has become extremely hard. I am banned on Twitter. I'm banned on Uber. I'm banned on Lyft. I'm banned on Venmo. I'm banned on GoFundMe. I'm banned on PayPal. I'm banned on Uber Eats. I can't even order a sandwich.
Le Pen is a petit bourgeois nationalist.
Everybody's talking about people breaking into houses but there are more people in the world who want to break out of houses.
Nobody who comes out of the movie [Aquarius] focuses on those [sexual] scenes, because they are not the heart of the film. They are a consequence of the story, but I don't remember hearing audiences talking about them afterward. They came out discussing themes of resistance, history and memory. They're talking about the beauty of the self and how it can become demolished.
I was born in 1953, in Paris. But soon after my birth my family (I have one sister) moved into a rent apartment in suburbs of Paris named Romainville. That time my parents were freshly married and it was extremely hard to find an apartment in Paris for a young married couple. To say they found a flat in a blocks of houses which was built after the second World War - and this is the place where I spent my childhood.
I love Apocalypse Now because it's a war movie, but yet it's not really a movie about war.
We're talking about a prison-industrial complex. We're talking about a war on drugs that's generating unprecedented levels of incarcerated folk. We're talking about dilapidated housing. We're talking about joblessness and underemployment.
When I am working on a movie, all I want to talk about is the movie. All I want to be with are the movie people. It's like a clan. If I'm asked to people's houses for dinner, I hate to go, because they'll talk about other things.
We don't like to use the phrase "state security" in the United States because it reminds us of all the bad regimes. But it's a key concept, because when these officials are out on TV, they're not talking about what's good for you. They're not talking about what's good for business. They're not talking about what's good for society. They're talking about the protection and perpetuation of a national state system.
Le Petit is where I cut my teeth with some of my early roles. In 1982, I was in the chorus of 'Gypsy' and soon after I had my first lead as Jamie Lockhart in 'The Robber Bridegroom.'
And of course, Indonesian people are above all scared of being 'different'. Being different here is punished brutally. Different people get mocked, ostracized, raped, tortured, and murdered. They are banned. To be a Communist is banned. To be gay is banned. To be an atheist is banned. To be a Taoist is banned. Being one of a thousand things is banned.
When I say war, I'm not talking about mental war; I'm talking about totally eliminating the obstacles to transformation of our children.
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