A Quote by Anna Kendrick
I started auditioning when I was about 10 and I didn't get my first job until I was 12, and two years at that age is really hard.
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I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old.
I started acting when I was seven, and I didn't get my first role till I was nine. So for two years, I was just auditioning.
I wanted to be the best in the world and at 12 years-old I won my first big amateur contest called The Gold Cup Series Contest at Marina Del Ray Skatepark. That's when I really started to believe I could turn pro, though it wasn't until two years later when I was 14 that I actually did with Sims.
I don't record (any type of genre of music) that I didn't hear in my family's living room by the time I was 10. It just is my rule that I don't break because ... I can't do it authentically ... I really think that you're just hard-wiring (synapses) in your brain up until the age of maybe 12 or 10, and there are certain things you can't learn in an authentic way after that.
I didn't get a formal introduction to horror until right about the age of 12, when my uncle showed me 'Twilight Zone: The Movie.' When you're 12 years old, and you see that - oh, God. I devoured as many horror movies and novels as possible.
I got started at a really young age. I was about two years old when I started playing the piano and around seven or eight when I started writing my own chords and putting words together.
At the age of 10 I started writing to the BBC about getting into broadcasting. It went on for years. I was 17 when they finally gave in and offered me a job as a bookings clerk in sport and outside broadcast.
I started auditioning, and the first job I ever got was understudying Amy Ryan in 'The Sisters Rosensweig' on Broadway, directed by Daniel Sullivan. I was 18 years old.
Rap music and rap records used to always be like this: we get one or two shots to a piece cause it was a singles marketplace and when the major record companies saw that it could also handle the sales of the albums then they started to force everybody to expand their topics from 1 to about 10 and you gotta deliver 12 songs, so a lot of times if you took a person who wasn't really developed, and the diversity of trying say 12 different things, you know the companies were like "Cool! Say the same thing 12 different ways."
It was 4 or 5 years into my first design job before the idea of doing graphic design on computers started taking hold. I started working in 1980, the Macintosh was introduced in 1984, then the real desktop publishing only started coming around in 85-86, but it wasn't really until the end of the decade that the transition became irresistible.
I lost that excitement I had when I first started out. It was all about the need to just get a job, and so I found the joy again when I was writing Deuce Bigelow. I was laughing so hard and along with my writing partner at the time, simply laughing until we cried.
I lost that excitement I had when I first started out. It was all about the need to just get a job, and so I found the joy again when I was writing Deuce Bigelow. I was laughing so hard and along with my writing partner at the time, simply laughing until we cried
I probably became more understanding and empathetic about 'The Bachelor,' and why people are on it, than I was the first 10 years of the show when I was married, because I really do understand how hard it is out there, how hard it is to meet somebody that you really have a connection with.
I met my agent when I was 10 years old on a family skiing vacation. He asked if I was interested in acting, and I had been doing school plays. A couple of years later, I called him up, and I started auditioning.
My time on television began, and I started playing victims. I did about 10 or 12 years of them, which gets boring, right?
There's acting, and then there's auditioning; mastering auditioning is sort of the first thing an actor really needs to nail down when he or she wants to get a part.
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