A Quote by Anna Kendrick
I like to buy a new fragrance for each film. I'll go out in the city where I'm filming and snap it up. The one I have for 'Into the Woods' is Terry de Gunzburg Flagrant Delice, which I bought in London.
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I love filming in London. In New York, every street is familiar because you have seen it in a movie. They mythologise their own city. You're forever trying to get down streets that have been blocked off because of shooting. In London, they don't put up with it; they're grumpy.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
Call it a hunch, but I sense that many of us are not entirely comfortable with a world in which every single thing we buy creates a cloud of data. I'd like to have an option to not have a record of how much I tipped, or what I bought at 1:08 A.M. at a corner market in New York City.
I've already done things I never believed I would. Even stepping out of Northampton and being in London - London always seemed like the big city I might go to for Carnival, go for a party and a chill and then head home.
Into the woods you go again You have to every now and then Into the woods, no telling when Be ready for the journey Into the woods, each time you go There's more to learn of what you know.
I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'
It is almost impossible to open a newspaper without reading something about the London housing market. House prices are rising at such a rate that the vast majority of Londoners can't afford to buy, are being forced out of the boroughs they grew up in, or in the worst cases, are being made homeless. If nothing is done, people will continue to be driven out of the city and London will cease to be a hub for creativity and entrepreneurship.
I bought a Stella McCartney jacket in Salt Lake City. It's nice. It looks like a pea coat. I love Stella's stuff, so wherever I go in the world, I will always go in and buy her stuff.
I realized horses have personality when I bought one and I had one, who's now out to pasture, a horse named Drifter. Before that, I was a city boy. Horses, I used to go out to the LaBagh Woods and ride at a stable once every two years or something; no idea about horses. Dogs, I knew, had personalities, but not horses.
I did a movie called 'Clueless' when I was first starting out. And with that paycheck, I went and bought a car, which I had no use for, because I lived in New York City, where you can take a train for a dollar anywhere. But instead, I bought a $20,000 car with a $12,000 check.
I had to pinch myself. I got the call and didn't expect it. And right up 'til nearly the end of filming, I was thinking, 'Am I actually doing a film with Akshay Kumar?' because I was a massive Akshay Kumar fan before, and the first film that I ever watched was his and Katrina's film, 'Namastey London.'
The first time I've actually filmed in London, the locations we've all had have been real inner city, grimy urban places which has been great. Filming here, you've got everything on your doorstep, so when you've got time off, you can go into town, so I've really enjoyed it.
The first Superman film took up a huge chunk of our lives, but it was a wonderful time for us. We were young, my daughter was little, we were filming in London for a year, so we became like a close family.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
What I don't want to do is to go and buy a bunch of exotic-looking drums and set up an Afrikanische Musik in New York City.
I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
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