A Quote by Anna Kendrick
'The Last Five Years,' we sang almost everything live. When we're in a convertible on the West Side Highway, there was no point - it's not going to be usable sound. But any time we were indoors, we were singing live.
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The cars of the migrant people crawled out of the side roads onto the great cross-country highway, and they took the migrant way to the West.... And because they were lonely and perplexed, because they had all come from a place of sadness and worry and defeat, and because they were all going to a mysterious new place, ... a strange thing happened: the twenty families became one family, the children were the children of all. The loss of home became one loss, and the golden time in the West was one dream.
And that, I think, was the handle--that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting--on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark--the place where the wave finally broke and rolled back.
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
With The Allman Brothers, we made two studio records that were OK, but the first really great album was the live one, 'At Fillmore East.' We were a live band, and it's one of the reasons we were able to stick around for 45 years.
We are all here on this planet, as it were, as tourists. None of us can live here forever. The longest we might live is a hundred years. So while we are here we should try to have a good heart and to make something positive and useful of our lives. Whether we live just a few years or a whole century, it would be truly regrettable and sad if we were to spend that time aggravating the problems that afflict other people, animals, and the environment. The most important things is to be a good human being.
it's a reminder of one of the greatest lessons of all: live as if you'll live forever, but live each day as if it were your last.
I sang with a voice that was natural, and I liked the way I produced that sound. I thought of my other friends, that they were singing and dancing, but they didn't have this. I was special.
It may sound strange, but when you're a kid and you're in that environment, for some reason for a long time you think, when the doors are closed in other houses, this is what it's like everywhere. And then at some point you begin to realize that isn't true, and books were really the educational system that showed me that there were many better and different ways to live a life.
Christianity asserts that every individual human being is going to live for ever, and this must be either true or false. Now there are a good many things which would not be worth bothering about if I were going to live only seventy years, but which I had better bother about very seriously if I am going to live for ever.
I don't take pressure. I can't really work under pressure. I do one film at a time, and I try to live in that character and in the moment. I am not a futuristic person who thinks what is going to happen after five years. And I don't live in the past.
There was of course no way of knowing whether you were being watched at any given moment. How often, or on what system, the Thought Police plugged in on any individual wire was guesswork. It was even conceivable that they watched everybody all the time. But at any rate they could plug in your wire whenever they wanted to. You had to live-did live, from habit that became instinct-in the assumption that every sound you made was overheard, and, except in darkness, every movement scrutinized.
For me, the most gratifying part in touring is singing the songs that I know tmy fans love, it's those moments when they put their hands up and their heads down that you know that you have hit a nerve. It's those moments when the people in the audience say "sang". It's those moments that I'd listen to growing up, even on Donny Hathaway live, where the people were speaking to my Dad at the Troubadour and I used to wonder, 'wow, what are they talking about?' There's an electricity that cannot be rivaled when you are creating for people live and in real time.
I run in the West Side highway. I've gotten recognized, but unless you're a runner, you really can't do nothing but just point.
Study as if you were going to live forever; live as if you were going to die tomorrow.
I hate the sound of my own voice. It's just up there, sort of naked and exposed. Live is hard, because on my records, I play almost everything on a lot of stuff. In a live situation, I can't control everything. I use two different microphones. One is just clean, traditional sound, and the other one is basically a cheap cassette-recorder microphone that goes through a distortion box to emulate my voice on the record. That helps some.
Back in the day we didn't really have time to be a live act because we were always on TV or doing live interviews. We were being flown all over the world.
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