A Quote by Anna Kendrick
I like sets that feel small. Sets that feel really big are difficult. When you're on a big set it feels like there's constant mis-communication.
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I feel like I'm a graduate of the Roger Corman School of Filmmaking. I went and visited Roger on the set of Dinoshark and that's in the movie. That's where I really got a big whopping taste of what it's like to be on one of his sets.
So many young people feel powerless. We live in a world where it feels like it's so big and yet so small, and that your contribution really doesn't matter.
It feels good, it feels like a badge of honor, honestly. Amongst the artists here, in California, that festival is such a big deal. People live and die for Coachella. So to be a part of it on such a big scale is really flattering, and I feel really lucky to be part of the community.
I like happy sets. Happy sets are good, and I think people feel comfortable on them.
Everything I wanted to do was big. I feel like my music is big, the mark I'ma leave in this world is big, so I feel like that's the perfect name.
I took opportunities, big or small, to show that I was a constant professional. I feel like the Sam Jackson of network TV drama.
For an American, as mad you may be about whatever the EPA or the IRS does, just imagine if you only had a one twenty-eighth vote over what it does. You were in this place with this big bureaucracy that sets rules, and you only have a small vote. You'd feel like you've given up your sovereignty, wouldn't you?
Voice work is usually not that big of a time commitment. You can go in for a couple of days or a couple of months, here and there, and just go in and play. I like being able to do that. You don't have that luxury on film sets or television sets.
I like happy sets. Happy sets are good, and I think people feel comfortable on them. When fear arrives in any context it's just boring and it closes people down. If people feel inadequate or if they feel bullied... It might work for some people but I think, as a rule, it just takes any joy out of the creative process.
Now that I'm a XXL Freshman, you know, I feel like that sets high standards for me, and I feel like I have to deliver.
When I was a carpenter, I built sets for small storefront Chicago companies. Like, I built sets for friends of mine at The House Theater.
No one set that I ever do is the same. I mean, if I go to a comedy club, and I perform three sets, all three sets are different because anything can happen in between sets.
I grew up on movie sets, I'm comfortable on sets. A movie set is like a circus. I don't understand why moviemaking has to be such an insane environment.
I grew up in the Midwest and never really felt at home there, and when I got to New York, I was really fearless. I feel like I really fell in love with the the place. But then, it's a place where your world is really big at first and then becomes really small. I found myself hardly leaving my neighborhood, like I made it into a small town.
In the Big City, different feels good, like blazing a trail. In a small town, though, different can feel like trying real hard to look special. Or even like rubbing your neighbor's nose in your success.
I like doing things that are different, unexpected, and where I feel that either the role feels like a natural fit for me or it's a really big swing that I don't know if I'm going to connect on.
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