A Quote by Anna-Louise Plowman
You are playing a character obviously, and everything you are saying is filtered through that person. It is not you that is saying it. It is filtered through a character that doesn’t have your own set of values - so it is not really odd. Inevitably we help each other with a lot of line-learning. Plus there is a familiarity which is quite nice. We have done TV together before.
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It was quite nice meeting up because we went through a lot together and we haven't really seen each much other to communicate one to one for quite a long time.
I know playwrights who like to kid themselves into saying that their characters are so well formed that they just take over. They determine the structure of the play. By which is meant, I suspect, only that the unconscious mind has done its work so thoroughly that the play just has to be filtered through the conscious mind. But there's work to be done - and discovery to be made.
The one on Fresh Hell is a little easier, because we make it up. It's a strange kind of hybrid of the real me and... Well, obviously it's me standing there, and it's my voice and my face, but it's also kind of filtered through Harry Hannigan's take on the character, the one he's writing.
A lot of what I think is funny is usually through some sort of character, or speaking earnestly one second and then saying something obviously joking.
I wanted to be the conduit for somebody else's experiences, filtered through me, and passed on to other people. Which is the job description, really.
When I'm writing Broadway, it's for a character, a man, a woman, an old guy, a kid. In the band, you're talking in your own voice in the lyrics, saying what you think or feel. On Broadway, you're expressing that through a character.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
I've done some TV and I've done a lot of theater, obviously, and the last character I played on Broadway was a very fast-talking broad. I'm used to learning material and words.
The American house has been TV-centered for three generations. It is the focus of family life, and the life of the house correspondingly turns inward, away from whatever corresponds beyond its four walls.At the same time, the television is the families chief connection to the world. The physical envelope of the house itself no longer connects their lives to the outside in any active way; rather it seals them from it.The outside world has become an abstraction filtered through television, just as the weather is an abstraction filtered through air conditioning.
The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired.
Going there [Japan] in the early 80s was quite a culture shock. I think the bombardment of Shinjuku and all that would have filtered through, which certainly informed things we later filmed.
I've been playing the same character on Supernatural for the past nine years and while that character has gone through a lot of different iterations, it's nice to step out and just do something altogether different.
I find dictating in the mass media particularly good because you're writing for voice anyway; you're writing for people to say a line and, consequently, saying a line through a machine is quite a valid test for the validity of what you're saying.
I am not asking for government censorship or any other kind of censorship. I am asking whether a kind of censorship already exists when the news that forty million Americans receive each night is determined by a handful of men responsible only to their corporate employers and filtered through a handful of commentators who admit to their own set of biases.
Through your love for each other, through learning the art of making one person happy, you learn to express your love for the whole of humanity and all beings. Please help us develop the curriculum for the Institute for the Happiness of One Person. Don't wait until we open the school. You can begin practicing right away.
Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
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