A Quote by Anna Meredith
I'm up for a massive, bombastic tour with hydraulics, robots, lasers, 15 costume changes, projecting on a power station, big impact, big visuals. I'd love to realize the theatricality of the whole thing. To be overwhelming, to surprise you, maybe to play in hidden spaces.
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You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
I think it's a shame when pop culture forgets that theatricality is a big part of it. When Neil Young is fumbling around in his pocket looking for the right harmonica, it doesn't matter that he's a dude in the hat who is a man of the people - there's a theatricality there. You don't have to be David Bowie or the Kabuki theater to have that theatricality going on.
'Bahubali' is not about big budgets, big visuals, or massive marketing. If a hero, producer, and director in Bollywood can have that kind of trust, something even bigger than 'Bahubali' is possible.
In life, it is never the big battle, the big moment, the big speech, the big election. That does not change things. What changes things is every day, getting up and rendering small acts of service and love beyond that what's expected of you or required of you.
One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people's lives, with real individuals.
I collect robots. They're mainly Japanese, American, and especially Russian - small robots, big robots, and old toy robots made between 1910 and the Fifties.
Jazz is a big thing with me. It's a very big passion of mine, to play it. I'm an amateur musician and I love everything about it. I was obsessed with jazz when I was 15 years old and I know a lot about it because I've loved it so much.
It's hard not to love Roomba. Roomba had such an amazing impact on the field. When we launched, we asked people, 'Is it a robot?' and got an overwhelming no - 'robots' have arms and legs; they command data. There was a very strong perception that robots had to look like people.
When I went out on tour as Bing Hitler I would hook up with Lenny and we'd get drunk together. He was always very supportive. He was a big star and a lot of what he said to me had power and impact. Apart from that, I just like him.
I never expected to have any kind of film career, to be honest. It was all a bit of a surprise. But I was in a big hit play on Broadway. America, as many people will say, says yes more often than we do. And so I was suddenly surrounded by people saying yes. But I was aware that was 'cause of what I was in. It had a big impact.
I love fast cars, loud guns and classic rock 'n' roll, but I'd never do any of it in
flats. I love me a nice, big uncomfortable pair of heels and some big hair! Maybe
it's a Southern thing, but I love dressing up. It's everything I can do not to leave
the house in a goddamn prom dress every day.
Maybe in this Star Wars world maybe subconsciously I was preparing myself. But I've just found all of my ideas I've been coming up with are big sci-fi things, and I wanted to do a big epic, a big space opera, and this is it. This is mine.
You are what you think. So just think big, believe big, act big, work big, give big, forgive big, laugh big, love big and live big.
At 15, I refereed my first match, and I was training at my dad's school even prior to that, so the only thing that I was concerned about - I guess the only thing that made me reluctant and was the reason I was in L.A. and the reason I went to acting school - was I thought maybe I wasn't big enough - physically big enough - to compete with WWE.
Costume is a massive thing. I think costume makes you stand differently.
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