A Quote by Anna Meredith

Performances are so defined by their venues - it'd be nice for the music to dictate more of the reaction. — © Anna Meredith
Performances are so defined by their venues - it'd be nice for the music to dictate more of the reaction.
Early American music and early folk music, before the record became popular and before there were pop stars and before there were venues made to present music where people bought tickets, people played music in the community, and it was much more part of a fabric of everyday life. I call that music 'root music.'
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
Live performances make music important. Recording is cool and fun, and it's nice to document the thing you made, but the goal in my mind is to perform.
Egon Schiele is my favorite painter. There's just something about art - photography, painting, music, plays - whatever you see, sometimes there's a gut reaction that's more important or more visceral than what your brain is thinking about. You can't explain that reaction. It's like what happens when you fall in love.
I've always believed that the stories and the performances are more important than I am. I think that the more invisible that my hand is, the more attention people can pay to the story and to those performances.
Obviously spending my teenage years in music, and in popular music, I wanted to continue this career, but in a way that allows me to dictate it and create it myself as opposed to relying on third party or more corporate decision making.
I love festivals because they seem like more of an artsy, supportive attitude - which benefits a more theatrical performer sometimes with having theater and other non-club venues, as well as the audience being filled with other artists. It's nice to be with other comics, as usually at other road gigs, I'm solo for the most part.
In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.
As far as dream venues, I've played all the venues I'd love to play.
I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.
I'm popular in the United States and I'm popular in England. England is just more concentrated. The people are closer together. Venues are closer together. Many albums of mine have been popular in England, but, no hit singles. All the hit singles I had were before I went to England. So, I'm not necessarily more popular in England, I'm just popular in England, and more so for my performances than hit records. But, I enjoy doing concert halls all over America, England, Scotland and Australia.
...you are defined not by life's imperfect moments, but by your reaction to them.
I'm more encouraged by the saplings: new music groups, tiny new venues, entrepreneurial musician-composers who aren't waiting to be discovered but are instead building their own Establishment.
I just don't ever want it to be nice. I'd prefer someone had a violent reaction to my collection than ever call it 'nice.'
Xenophobia is defined as the uncontrollable fear of foreigners. That fear should not dictate the immigration dialogue any longer.
If I think about the way I was drawn into the music, it was much more by recordings than by live performances.
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