A Quote by Anna Pavlova
Master technique and then forget about it and be natural.
Related Quotes
The artist must forget the audience,
forget the critics, forget the technique, forget everything but love for the music.
Then, the music speaks through the performance,
and the performer and the listener will walk together
with the soul of the composer, and with
God.
Master your instrument. Master the music. And then forget all that bullshit and just play.
Master technique, so that technique NEVER prevents you from dancing.
Then come the lights shining on you from above. You are a performer. You forget all you learned, the process of technique, the fear, the pain, you even forget who you are you become one with the music, the lights, indeed one with the dance.
I've studied a technique called the Sanford Miesner technique, that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
No technique is possible when men are free. Technique requires predictability and, no less, exactness of prediction. It is necessary, then, that technique prevail over the human being.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
All the technique you can learn - and you should learn everything you can - you should have it here in the fingers not here in the head - and then you forget about it.
We forget that stretch marks, cellulite and some stomach fat is natural. We forget that we are born human and physically can't be perfect. We forget that God doesn't make us out of plastic and silicone. We forget to be flawed.
To master an actual technique, mental culture should come first.
Acquiring a technique requires a careful, modest, non-mean, free and attentive mind. In other words a player should do his utmost and nothing less.
We so easily forget that we came into life with nothing. Whatever we get soon seems our natural right, not a gift. And we forget the giver. Then our gaze shifts from what we have been given to what we dont have yet. . . .
Forget the grand plan. Forget the master scheme. Forget control. That is the bleak but true basis of independent cinema. Inch by motherfuking inch we must, because we have no other choice.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
When you love a woman don't be bothered about what others have said about love, because that is going to be an interference. You love a woman, the love is there, forget all that you have learned about love. Forget all Kinseys, forget all Masters and Johnsons, forget all Freuds and Jungs. Please don't become a language professor. Just love the woman and let love be there, and let love lead you and guide you into its innermost secrets, into its mysteries. Then you will be able to know what love is.
I'm not a master. I'm a student-master, meaning that I have the knowledge of a master and the expertise of a master, but I'm still learning. So I'm a student-master. I don't believe in the word 'master.' I consider the master as such when they close the casket.
The work saved me. I clung to it like flotsam in a boiling sea. It was the only solitary sport that I ever played, or was any good at. It felt natural to sit at my computer and type and type some more. For entire minutes, while writing, I could forget the godawful thing that had happened. I could forget that nothing really mattered anymore. Perhaps, if I set my sights low, I could care again about some small thing. I would type a word. One word. Then another. I started to care about the words, then entire sentences.
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