A Quote by Anna Pavlova
A true artist should have no secrets. On the stage, you must be able to transmit every emotion to the spectator.
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A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.
The motif must always be set down in a simple way, easily grasped and understood by the beholder. By the elimination of superfluous detail, the spectator should be led along the road that the artist indicates to him, and from the first be made to notice what the artist has felt.
Every artist, every scientist, every writer must decide now where he stands. The artist must take sides. He must elect to fight for freedom or for slavery. I have made my choice. I had no alternative.
I think the true artist - musician, dancer, writer, actor - a true artist is able to sort of articulate pain and tragedy, in a way that sort of expresses what the listener or the beholder may have been feeling but was less able to communicate.
I just try to tell a story with a song, and be able to try to transmit the emotion to you. That's all I'm really trying to do.
I try to transmit emotion and soul in my voice, but my true passion has always been writing. I feel more like a writer than anything else.
If 'Spectator Business' works, we will continue this brand extension strategy and look at everything from 'Spectator Arts' to 'Spectator Style and Travel' or 'Spectator Connoisseur.'
The main difference between the art of the actor and all other arts is that every other [non-performing] artist may create whenever he is in the mood of inspiration. But the artist of the stage must be the master of his own inspiration, and must know how to call it forth at the hour announced on the posters of the theatre. This is the chief secret of our art.
The Spectator' has to be managed and people have to report. We all have bosses in this world and that's true of 'The Spectator' too.
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
An image of the earth, its landscapes, directly affects people. The beauty of the earth creates enormous emotion, and through that emotion, you can transmit knowledge and raise consciousness
An image of the Earth, its landscapes, directly affects people. The beauty of the Earth creates enormous emotion, and through that emotion, you can transmit knowledge and raise consciousness.
I feel like I've been lucky that I've never been put in a situation where I had to keep a serious secret. But what is true of me - and has to be true of everyone who's ever been in a family - is that our idealization of reality when we're children always has to fall apart. It's the narratives we didn't know about that pop up and redraw reality. You have to be able to integrate secrets into who you are. My family does not look now like it does when I was a kid. There was divorce. There were family secrets. There was definitely a difference between what I thought was true and what was true.
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
Every mother should endeavor to be a true artist.
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