A Quote by Anna Quindlen
If you want to write what the world is about, you have to write details...real life is in the dishes. Real life is pushing strollers up the street, folding T-shirts, the alarm clock going off early and you dropping into bed exhausted every night. That's real life.
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In order for me to write, I have to experience life. I write the songs based on real life, and I perform them from a very real place.
To write a poem you must have a streak of arrogance-- not in real life I hope. In real life try to be nice. It will save you a hell of a lot of trouble and give you more time to write.
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
If you write a story based on a real person, you're trapped by the details of the real person and his life. It gets in the way of writing your own story.
My artistic goal was to write something that's one hundred percent real and true to me and to this world. I tried to touch on truths that really connect with people from every avenue of life. Ultimately, when you write from a vantage point of faith, humility and openness to the world around you, people have to respond because those same truths are instilled in them. Honestly, I don't have any agenda other than being sincere, real, and passionate about these songs and the music I make.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
These problems are real, and you can't turn off real life. So I won't try. Instead, I'll give you a set of tools to help you deal with real life.
The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.
My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.
This world is nothing. It is at best only a hideous caricature, a shadow of the Real. We must go to the Real. Renunciation will take us to It. Renunciation is the very basis of our true life; every moment of goodness and real life that we enjoy is when we do not think of ourselves.
Sometimes you have to think about what you're going to say, in real life, so when you see that thought process going on in a movie, it feels real and looks real.
I have people say that they love how I keep them off balance as to what is real or not real about pretty much everything I write. I think it's an accurate description of how I feel every day. I can't tell what's real and what's not anymore. I think that's what makes art.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
In the movies, they make you look good and tough, but in real life, it's completely the opposite. I do these ueber roles, I think, because in real life I'm quite shy and reserved. In real life, I'm a dork.
The last thing I want to do is to write about real things. I am not interested in reality and in real human beings and their real day-to-day problems - I just want to say to them, 'Hold still, and I'm just going to unpack, see what's inside.'
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