A Quote by Anna Quindlen
Behind every door in London there are stories, behind every one ghosts. The greatest writers in the history of the written word have given them substance, given them life. And so we readers walk, and dream, and imagine, in the city where imagination found its great home.
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Imagination is the politics of dreams; imagination turns every word into a bottle rocket. . . . Imagine every day is Independence Day and save us from traveling the river changed; save us from hitchhiking the long road home. Imagine an escape. Imagine that your own shadow on the wall is a perfect door. Imagine a song stronger than penicillin. Imagine a spring with water that mends broken bones. Imagine a drum which wraps itself around your heart. Imagine a story that puts wood in the fireplace.
Behind every word a whole world is hidden that must be imagined. Actually, every word has a great burden of memories, not only just of one person but of all mankind. Take a word such as bread, or war; take a word such as chair, or bed or Heaven. Behind every word is a whole world. I'm afraid that most people use words as something to throw away without sensing the burden that lies in a word.
The best messages in any given negotiation are really implied indirectly, come to the other person based on thinking that you're getting them to do - getting them to get some really solid thought behind their answers. And so a great thing to send someone in an email is, 'Have you given up on this project?'
World War II is the greatest drama in human history, the biggest war ever and a true battle of good and evil. I imagine writers will continue to get stories from it, and readers will continue to love them, for many more years.
The people who lived behind those clean lace curtains in row after row of identical boxes were newspaper readers, and every word in at any rate my newspaper must be clear and comprehensible to them, must be interesting to them, must encourage them to break away from littleness, stimulate their ambition, help them to want to build a better land.
Sometimes, I like to imagine the perfect reader - the reader who not just understands what I am about, but soaks up every word as if it were written for them. I have been fortunate in that I have got to meet such readers now and again.
There is a guilty conscience behind every brazen word and act and behind every manifestation of self-righteousness.
It's funny that everyone talks about Women's Revolution and I'm the first one to be behind all of them and be with them, but you can't forget that behind every Women's Revolution, there was a pack of women before them and before every single generation fought for something.
Suppose you're on a game show, and you're given the choice of three doors. Behind one door is a car, the others, goats. You pick a door, say #1, and the host, who knows what's behind the doors, opens another door, say #3, which has a goat. He says to you: 'Do you want to pick door #2?' Is it to your advantage to switch your choice of doors?
Behind every locked door on Skid Road are a thousand stories.
Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
Forgetfulness, the unhistorical, is ... the atmosphere, in which alone life can come into being. In order to understand it, let us imagine a youth who is seized with a passion for a woman, or a man who is swayed by a passion for his work. In both cases what lies behind them has ceased to exist and yet this state (the most unhistorical that can be imagined) is that in which every action, every great deed is conceived and accomplished.
Behind every problem, there is a question trying to ask itself... Behind every question there is an answer trying to reveal itself. Behind every answer there is an action trying to take place. And behind every action there is a way of life trying to be born.
If given a chance, I would really want to explore the monuments in Delhi, like Qutub Minar and the forts. I have been there as a child, but now I want to go back and understand the history and significance behind them. We take all of these things for granted in life.
When you're doing physical comedy, everybody's involved, not just the actors. Everybody's behind the scenes following them, and we've got Jillian the cinematographer running after them, then we've got three guys behind her who are cable-wranglers running with her so she doesn't trip on it. Every day was a mad-dash to the finish line. Every day was so stressful. Every day was so fun.
I loved [fairy stories] so, and my mother weighed down by grief had given up telling me them. At Nohant I found Mmes. d'Ardony's and Perrault's tales in old editions which became my chief joy for five or six years ... I've never read them since, but I could tell each tale straight through, and I don't think anything in all one's intellecutal life can be compared to these delights of imagination.
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