A Quote by Anna Quindlen

Every reader, I suspect, has a book like this somewhere in his or her past, a book that seemed to hold within it, at that moment, all the mysteries of the universe. — © Anna Quindlen
Every reader, I suspect, has a book like this somewhere in his or her past, a book that seemed to hold within it, at that moment, all the mysteries of the universe.
Ranganathan's 5 Laws: Books are for use. Books are for all. Every book its reader, or every reader his book. Save the time of the reader. A library is a growing organism.
In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.
Every reader his or her book. Every book its reader.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
Each reader has to find her or his own message within a book.
I believe there's a platonic ideal for every book that is written, like there's the perfect version of the book somewhere in the ether, and my job is to find what that book is through my editing.
A number of things in 'Dhalgren' are just meant to function as mysteries. They're mysteries when the book begins, and they're mysteries when the book ends.
A number of things in Dhalgren are just meant to function as mysteries. They're mysteries when the book begins, and they're mysteries when the book ends.
It's difficult to write a book where a character is on virtually every page of the book but you cannot refer to his or her gender. It gets rid of every his, her, she and he.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
What if there was a library which held every book? Not every book on sale, or every important book, or even every book in English, but simply every book - a key part of our planet's cultural legacy.
As Popa penetrates deeper into his life, with book after book, it begins to look like a Universe passing through a Universe. It is one of the most exciting things in modern poetry, to watch this journey being made.
That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.
Tis the good reader that makes the good book; in every book he finds passages which seem confidences or asides hidden from all else and unmistakenly meant for his ear; the profit of books is according to the sensibility of the reader; the profoundest thought or passion sleeps as in a mine, until it is discovered by an equal mind and heart.
Each reader reads only what is already within himself. The book is only a sort of optical instrument which the writer offers to the reader to enable the latter to discover in himself what he would not have found but for the aid of the book.
Book ideas are like planes, lined up to approach the runway. Some never leave the gate, but others move quickly to the front of the line. It was like that with The Four Purposes. Honestly, I cannot remember the moment I had the idea for the book; perhaps because it emerged like a green shoot emerging from the soil of my subconscious. But it seemed important enough to begin the flow of words that eventually shaped themselves into this new book.
This site uses cookies to ensure you get the best experience. More info...
Got it!