A Quote by Anna Quindlen
I never think about issues when I'm working on a novel. Issues are things that happen to people in sufficient numbers to elicit widespread attention; in other words, they're just life happening. That's what I think about: life, and telling a story.
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I think that language matters. I think that people who are in public life have an opportunity to help the public understand issues and understand the urgency of issues. And to that extent, I think it is important how issues are talked about.
It's very dangerous for a storyteller to walk into a situation with a political agenda because you end up telling a story about issues instead of telling a story about people.
I think the Resurrection continues to be a pivotal issue, a pivotal question for people. I think a lot of other issues have been raised in interim years, about the nature of truth, of course gender issues, issues involving social matters like abortion and euthanasia and so forth, those swirl about and change from time to time, but I think the fundamental question of whether or not Christianity is true ultimately goes back to the Resurrection.
I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.
So many people go through life, and they never deal with their own issues, no matter what the issues are - ours happen to be gender identity. But, how many people go through life and just waste an entire life 'cause they'd never deal with themselves to be who they are.
I do think that people have a desire to talk about issues they may have wanted to avoid before. I've never had so many random conversations with people where they're so ready to talk about race, gender, sexual identity, or things that are happening in politics.
As a black person in this country, I am always frustrated by the lack of attention my people's issues get. But at least the news and politicians are talking about not talking about our issues. Native issues are basically ignored.
This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.
I think we all suffer from guilt at some point in our lives, but for the most part I never really regret, and I try to always remain positive. Yes, I think that those issues are very interesting to play in a character, and they're prominent issues in life, and I think people can relate to them.
Why should people be expected to think about the meaning of life merely because they happen to be ill? That is just the time when there is no time to think about such things, because the body is so greedy for attention.
I don't believe in trashing my opponents. I've never run a negative ad in my life. I believe in talking about issues, sometimes fighting for the media to talk about the issues, but that's what I do, and the people will decide.
When you think about the progress and the progressive issues we are tackling and solving in Miramar, I'm looking to take these issues nationally because the American people need someone who can champion these issues for them.
I think, at some level, we see young people all over the country mobilizing around different issues, in which they're doing something that I haven't seen for a long time. And that is, they're linking issues together. You can't talk about police violence without talking about the militarization of society in general. You can't talk about the assault on public education unless you talk about the way in which capitalism defunds all public goods. You can't talk about the prison system without talking about widespread racism. You can't do that. They're making those connections.
I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.
We need to address issues our people think about and talk about. Because there is a feeling that Europe elites are addressing different issues. Not the ones that people care about.
I think I've learned a lot about how to make movies, and particularly about how to edit movies by thinking about how similar problems are resolved in other forms. The issues in all forms are the same in an abstract sense, aren't they? Characterization, abstraction, metaphor, passage of time... Whether it's a movie, a novel, a play, or a poem, those issues exist. And each person resolves them differently.
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