A Quote by Anna Ternheim
I think it's always been very natural. I don't write a diary - it's reflections and thoughts and feelings that come to me at a certain point, and when I go back to my old records, they capture the time I was in then.
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A lot has been written and said about why he was so great, but I think the best way to appreciate his greatness is just to go back and play some of the old records. Time has a way of being very unkind to old records, but Elvis' keep getting better and better.
It's easier for me to sit with the producers and the writers and I give them my feelings and my thoughts and what I think I feel like singing about and then they go away and write it.
I'm feeling more and more thoughts that aren't songs, just reflections. I'm always been very shy and in some ways a prisoner in one language and I feel that the liberation of creativity has to be in all senses. So I've been deciding to publishing something very simple but very small at the same time, nothing egocentric.
I think that it's a natural thing for parents to look for reflections of themselves in their children and feel a certain pride there. So if your child is very, very different, or perhaps if he's very, very similar, it makes you uncomfortable.
It doesn’t feel natural for me to write some diary type song. I want to write a classic like Yesterday but weird songs about meatballs in refrigerators come into my head – I can’t help it.
I think at a certain point the book develops a certain weight, or pressure. You've been pushing the rock up the hill for a long time and then it starts to roll and things do start to come together in the last two thirds.
I keep a diary when I have time to. I always know that I'm either having a great time or I'm very busy when there are three weeks of nothing in my diary. But I like to look back because in ten years to the day I can know where I was and what I was doing, and that's a nice feeling.
I guess I've always lived upside down when I want things I can't have. My wife actually thinks I have a syndrome called Reality Distortion Field. It's kind of like drugs, only you can't come back from it. Reality Distortion is almost a permanent condition. Things come in and they go out: Presto, chango! To a certain extent, I did that with myself. As a kid, I did want to be an old-timer, since they were the ones with the big stories and the cool clothes. I wanted to go there. Now, I guess I want to bring that with me and go back in time.
healthy, adj. There are times when I'm alone that I think, This is it. This is actually the natural state. All I need are my thoughts and my small acts of creation and my ability to go or do whatever I want to go or do. I am myself, and that is the point. Pairing is a social construction. It is by no means necessary for everyone to do it. Maybe I'm better like this. Maybe I could live my life in my own world, and then simply leave it when it's time to go.
The writings are often written in a kind of exhaustion or delirium, I try very hard not to censor myself, to be as honest and vulnerable as possible, as one would in a diary. As a child I used to write my diaries backwards in cursive. No one else could understand them. I think it trained me to be bold and admit feelings that I might feel otherwise scared to write down.
I've always felt more comfortable in the company of women, and as far as girlfriends go, they've each been a learning experience. You meet someone at a certain point in your life, then break apart, but you always share that time.
Back in the Eighties, I used to write ballads on my acoustic guitar, so it seems very natural to me to go back to a little singing.
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
It's always been difficult for me to speak and express my innermost thoughts. I prefer to write. When I sit down and write, words grow very docile, they come and feed out of my hand like little birds, and I can do almost what I want with them; whereas when I try to marshal them in open air, they fly away from me.
I've always found it easy and natural and, more importantly, necessary to articulate thoughts and feelings, and fierce emotions, through the written word. Fantasy and horror came to me when I was very young.
I'm very proud of my records, but my most natural creative tendencies have been in live performing. There's a beautiful element to recording and making records, but I've always felt a little shy with it.
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